"Darkness" by Ryan Amon had its release date on 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 29 in Elysium (Original Motion Picture Soundtrack) by Ryan Amon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Darkness's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Darkness by Ryan Amon is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Break a Leg, Briggs | Mike Zarin, Tony Hajjar | A Major | 7 | 11B | 145 BPM | ||
| A Weapon From Hell | Metal Gear Sound Team | D Major | 2 | 10B | 124 BPM | ||
| Rockwell Codex Archives - The Purple and The Red 3 | Gareth Coker | D Major | 7 | 10B | 165 BPM | ||
| Maersk Alabama | Henry Jackman | D Major | 2 | 10B | 175 BPM | ||
| Picket Lines | Alexandre Desplat | D♭ Major | 1 | 3B | 172 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| Death Shall Have No Dominion | Cliff Martinez | B♭ Major | 2 | 6B | 68 BPM | ||
| Fire Up The Shuttle | Ryan Amon | C Major | 9 | 8B | 95 BPM | ||
| In The Blind | Steven Price | C Minor | 0 | 5A | 108 BPM | ||
| Lake Nakuru | Ryan Matthew Amon, Ryan Amon | G Minor | 3 | 6A | 78 BPM | ||
| Are You Receiving? | Clint Mansell | G Major | 3 | 9B | 137 BPM | ||
| For Alaska | Charlie Clouser | A Major | 3 | 11B | 173 BPM | ||
| Whitehall | Christophe Beck | B♭ Major | 1 | 6B | 126 BPM | ||
| Wild Moose | Atticus Ross, Leopold Ross | F♯ Major | 3 | 2B | 105 BPM | ||
| Genesis Rift | Jo Blankenburg | D Major | 7 | 10B | 165 BPM | ||
| Continuum | Revolt Production Music | B Minor | 5 | 10A | 156 BPM | ||
| Did It Again | Joel Sandro, Joel | F♯ Major | 2 | 2B | 95 BPM | ||
| Welcome to the ISS | Jon Ekstrand | D♭ Minor | 2 | 12A | 100 BPM | ||
| Peor Con El tiempo | Casualidades Del Destino | A Minor | 4 | 8A | 178 BPM | ||
| Things To Come | Ryan Amon | C Major | 0 | 8B | 88 BPM | ||
| Período sinódico | Sergio Moscatelli | A♭ Major | 0 | 4B | 61 BPM | ||
| Telepathic Sense | Charlie Clouser | D♭ Major | 2 | 3B | 140 BPM | ||
| Mist over the Falls | Ryan Matthew Amon, Ryan Amon | G Minor | 3 | 6A | 78 BPM | ||
| No, Not Today | The Prestige | E Minor | 1 | 9A | 135 BPM | ||
| Assuming Ellis | Federico Jusid | D Major | 7 | 10B | 165 BPM |