On October 5, 1993, the song "Leave Well Enough Alone" was released by The Robert Cray Band. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Shame + A Sin". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Leave Well Enough Alone's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Leave Well Enough Alone by The Robert Cray Band having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucky In Love | Tommy Castro | G Major | 8 | 9B | 116 BPM | ||
| Working Man's Blues | Julian Sas | A Major | 8 | 11B | 111 BPM | ||
| Since I Been Loving You | Eric Steckel | F Major | 6 | 7B | 131 BPM | ||
| Blue and Lonesome | Blues Company | A Minor | 3 | 8A | 84 BPM | ||
| Save Me | Danielle Nicole | F Minor | 7 | 4A | 86 BPM | ||
| Loser Two Times | Peter Green | F Major | 4 | 7B | 86 BPM | ||
| Tired Man | Albert Collins | C Minor | 3 | 5A | 187 BPM | ||
| Unconditional | Ana Popovic | B Minor | 5 | 10A | 118 BPM | ||
| Don't Let It Be A Dream | Michael Burks | B Minor | 4 | 10A | 132 BPM | ||
| It's Over | Corey Stevens | F♯ Major | 5 | 2B | 185 BPM | ||
| Summertime | Joanne Shaw Taylor | D Major | 5 | 10B | 182 BPM | ||
| Talk Real Slow | Debbie Davies | F♯ Minor | 7 | 11A | 128 BPM | ||
| Muddy Water Blues | Paul Rodgers | E Major | 8 | 12B | 186 BPM | ||
| We're All In This Together | Walter Trout, Joe Bonamassa | D Major | 8 | 10B | 110 BPM | ||
| My Baby's Come Back to Me - Remastered | Alvin Lee | E Minor | 6 | 9A | 86 BPM | ||
| Baby's Arms | The Robert Cray Band | A Major | 7 | 11B | 104 BPM | ||
| Funky Guitar Blues | Bryce Janey | F Major | 9 | 7B | 115 BPM | ||
| Blues For Charlie | Popa Chubby | B Minor | 6 | 10A | 154 BPM | ||
| Same Ole Feeling | Bernard Allison | E Minor | 7 | 9A | 97 BPM | ||
| Don't Let Your Chance Go By | The Jeff Healey Band | B Minor | 8 | 10A | 115 BPM | ||
| I Believe I Got Off Cheap | Chris Cain | D Major | 9 | 10B | 97 BPM | ||
| Just a Game | Jimmie Vaughan | C Major | 3 | 8B | 81 BPM | ||
| I'm A Good Man | The Robert Cray Band | D Major | 7 | 10B | 105 BPM | ||
| Cry No More | Danielle Nicole | D♭ Major | 6 | 3B | 204 BPM | ||
| Love Is | Tommy Castro, The Painkillers | F Minor | 8 | 4A | 99 BPM |