"The Pale King - From “Spectre” Soundtrack" by Thomas Newman had its release date on October 23, 2015. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Pale King - From “Spectre” Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Spectre (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. The Pale King - From “Spectre” Soundtrack is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pale King - From “Spectre” Soundtrack by Thomas Newman having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deceit | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Mary and Edward | Rupert Gregson-Williams | F Major | 0 | 7B | 136 BPM | ||
| Multi-Axis Trainer | Justin Hurwitz | B Major | 2 | 1B | 122 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| Borgov III | Carlos Rafael Rivera | D Major | 8 | 10B | 133 BPM | ||
| Man on the Moon | Martin Phipps | A Minor | 2 | 8A | 110 BPM | ||
| Natalie's Rescue | Andrew Lockington | F Minor | 7 | 4A | 141 BPM | ||
| Spotting Movement | Harry Gregson-Williams | D♭ Major | 0 | 3B | 130 BPM | ||
| The Chronicles Of Riddick | Graeme Revell | D♭ Major | 4 | 3B | 167 BPM | ||
| CIA Never Sleeps | Ramin Djawadi | D♭ Major | 2 | 3B | 130 BPM | ||
| You! | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Peggy Remembers Cap | Christopher Lennertz | A♭ Major | 4 | 4B | 139 BPM | ||
| Secret Room - From “Spectre” Soundtrack | Thomas Newman | A Major | 0 | 11B | 100 BPM | ||
| Drinks With Valentine | Henry Jackman, Matthew Margeson | G Major | 0 | 9B | 83 BPM | ||
| Welcome to the ISS | Jon Ekstrand | D♭ Minor | 2 | 12A | 100 BPM | ||
| An Evolving Mystery | Barrington Pheloung | A Minor | 1 | 8A | 79 BPM | ||
| Solomon Lane | Joe Kraemer | A Minor | 1 | 8A | 86 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Jinx & James | Die Another Day Soundtrack | E♭ Major | 1 | 5B | 80 BPM | ||
| Dead Civilization | Jed Kurzel | F Major | 3 | 7B | 66 BPM | ||
| I Want You To Remember The One Man Who Beat You | Christopher Drake | D Minor | 4 | 7A | 133 BPM | ||
| End Credits - From "Serenity" | David Newman | G Major | 4 | 9B | 84 BPM | ||
| Crows Klinik - From “Spectre” Soundtrack | Thomas Newman | D Major | 1 | 10B | 100 BPM | ||
| We Share The Same Passions (Part I: The Trip To Cuba/Part II: The Same Passions) | Éric Serra | B Major | 2 | 1B | 175 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM |