On October 21, 1982, the song "抱かれに来た女" was released by Kingo Hamada. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kingo Hamada's "midnight cruisin'" album is number 1 out of 9. On top of that, Japan appears to be the country where this track was created. In terms of popularity, 抱かれに来た女 is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 抱かれに来た女 by Kingo Hamada to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pastel Love | 黒住憲五 | A Major | 7 | 11B | 97 BPM | ||
| 雨のケンネル通り | EPO | C Major | 5 | 8B | 107 BPM | ||
| パーティーにひとり | Yurie Kokubu | A♭ Major | 6 | 4B | 79 BPM | ||
| Last Woman | Yurie Kokubu | E♭ Major | 4 | 5B | 83 BPM | ||
| 今日はひとりきり | Kaoru Akimoto | F♯ Major | 3 | 2B | 152 BPM | ||
| Karappo no Isu | Taeko Onuki | E♭ Major | 3 | 5B | 126 BPM | ||
| OH NO,OH YES! | Mariya Takeuchi | G Major | 9 | 9B | 102 BPM | ||
| ON THE SEASHORE | Sadistics | C Major | 7 | 8B | 89 BPM | ||
| Temptation (誘惑) | Minako Honda | F Minor | 7 | 4A | 118 BPM | ||
| 踊ろよ、フィッシュ | ビクター・ファンタスティック・オーケストラ | C Major | 7 | 8B | 123 BPM | ||
| あなたにLonely | Tomoko Aran | D Major | 7 | 10B | 126 BPM | ||
| 愛の炎 | Minako Yoshida | E Minor | 8 | 9A | 100 BPM | ||
| 渚のDaydream | Meiko Nakahara | E♭ Major | 3 | 5B | 115 BPM | ||
| Baby, Don't You Cry Anymore | Tomoko Aran | C Major | 2 | 8B | 108 BPM | ||
| 黄昏れ | Taeko Onuki | E Minor | 3 | 9A | 76 BPM | ||
| 未来 | Hiromi Iwasaki | D♭ Major | 7 | 3B | 130 BPM | ||
| 避暑地の出来事 | 藤丸バンド | A Major | 5 | 11B | 84 BPM | ||
| 横顔のタクシー・ドライバー | Kingo Hamada | A♭ Major | 5 | 4B | 126 BPM | ||
| SUMMER VACATION - 2012 Remaster | Kazuhito Murata | E Major | 7 | 12B | 124 BPM | ||
| ピローケースにさようなら | Takako Shirai | D♭ Minor | 4 | 12A | 92 BPM | ||
| フィッシュ・アンド・チップス | Hi-Fi Set | F Major | 6 | 7B | 111 BPM | ||
| グラスの中の青い海 | Minako Ito | C Minor | 2 | 5A | 136 BPM | ||
| 夏の光に | Sumiko Yamagata | F Major | 5 | 7B | 131 BPM | ||
| 色彩都市 | Taeko Onuki | F Minor | 4 | 4A | 109 BPM | ||
| LADY PINK PANTHER | Shigeru Suzuki | D Minor | 6 | 7A | 144 BPM |