"Matthias Fights" by Joseph Trapanese had its release date on March 10, 2023. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Shadow and Bone: Season 2 (Soundtrack from the Netflix Series)". In this album, this song's track order is #11. Based on our statistics, Matthias Fights's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthias Fights by Joseph Trapanese having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breaking The Spell | Abel Korzeniowski | A Major | 1 | 11B | 160 BPM | ||
| The Well Of Sorrows | Trevor Morris | A♭ Major | 3 | 4B | 83 BPM | ||
| Evermore | Secession Studios | C Minor | 3 | 5A | 86 BPM | ||
| Every Hundred Years | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Saving the Boy | Philip Klein | E♭ Major | 1 | 5B | 136 BPM | ||
| The Blue Whale | Steven Price | F♯ Minor | 3 | 11A | 112 BPM | ||
| Children of the Endless | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
| From Shadows | Thomas Farnon | B♭ Major | 3 | 6B | 94 BPM | ||
| Asylum Escape - From “Alice Through the Looking Glass”/Score | Danny Elfman | D♭ Major | 5 | 3B | 72 BPM | ||
| Fight (Bonus Track) | Anamanaguchi, Joseph Trapanese | A Major | 1 | 11B | 69 BPM | ||
| Eshkeri: Lamia's Lair | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 5 | 10B | 149 BPM | ||
| Only Us | Olivier Deriviere | A Major | 3 | 11B | 120 BPM | ||
| Isisaurus | Anže Rozman, Kara Talve | B♭ Major | 2 | 6B | 58 BPM | ||
| Hope for the Future | Joseph Trapanese | B♭ Major | 6 | 6B | 95 BPM | ||
| Bell Lane, Whitechapel | Daniel Pemberton | G Major | 5 | 9B | 110 BPM | ||
| Pyre for Light | Lorne Balfe | D♭ Major | 2 | 3B | 108 BPM | ||
| Face Through the Wall | Natalie Holt | D Minor | 1 | 7A | 99 BPM | ||
| Up Here All Alone | Tim Despic | B Major | 3 | 1B | 60 BPM | ||
| The Knockdown | Roque Baños | A Major | 4 | 11B | 98 BPM | ||
| Man in Black | Sonya Belousova, Giona Ostinelli | D Major | 7 | 10B | 88 BPM | ||
| Rescue and Reunion | Mark Isham, Cindy O'Connor | G Minor | 3 | 6A | 121 BPM | ||
| Your Majesty, They're Coming from the Sea | Geoff Zanelli | G Minor | 5 | 6A | 128 BPM | ||
| Oxfords, Not Rogues | Matthew Margeson, Dominic Lewis | F Major | 2 | 7B | 79 BPM | ||
| Train Escape | Daniel Pemberton | A♭ Major | 4 | 4B | 75 BPM |