"Isolating" by Rob Kelly had its release date on September 27, 2024. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Isolating's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 7 in Celloscapes by Richard Harwood, Rob Kelly. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Isolating's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Isolating by Rob Kelly is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| II. The Day Before | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | A♭ Major | 3 | 4B | 127 BPM | ||
| Holocene | Vitamin String Quartet | D♭ Major | 3 | 3B | 148 BPM | ||
| Utopia | Cylis | C Major | 1 | 8B | 57 BPM | ||
| Daydream in D for Cello | Eric Kinny | F♯ Minor | 2 | 11A | 134 BPM | ||
| Call You Mabel | Emilie Levienaise-Farrouch | C Major | 3 | 8B | 160 BPM | ||
| Frihet | Peter Sandberg | B♭ Major | 1 | 6B | 128 BPM | ||
| Cloud-Passade Nr. 3 | Lubomyr Melnyk | C Major | 2 | 8B | 83 BPM | ||
| Slow Within | Federico Albanese | B♭ Minor | 0 | 3A | 130 BPM | ||
| Movement 6 - Instrumental | Erland Cooper, Scottish Ensemble | C Major | 4 | 8B | 138 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| We Were There | Federico Albanese | F Minor | 1 | 4A | 135 BPM | ||
| Martyrdom (Movement 1) | Calum Martin, Hugh Wilson, Craig Armstrong, Cecilia Weston, Scottish Ensemble, Daniel Pioro | G Major | 1 | 9B | 70 BPM | ||
| Éxta | Sebastian Plano | B Minor | 3 | 10A | 120 BPM | ||
| Myfanwy - Ambient Mix | Sheku Kanneh-Mason | G Major | 3 | 9B | 58 BPM | ||
| Sept Douleurs | Alexandra Hamilton-Ayres, Her Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Seven League Boots | Zoë Keating | E Major | 1 | 12B | 144 BPM | ||
| Karim is Dead | Andrea Boccadoro, Ben Hancox, Ann Beilby, Richard Harwood, Leon Bosch, Gabriela Opacka-Boccadoro | G Major | 6 | 9B | 84 BPM | ||
| Signals | Hannah Peel, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | C Minor | 5 | 5A | 122 BPM | ||
| The Ocean | Linnea Olsson | E Minor | 2 | 9A | 84 BPM | ||
| Memoria | Laura Masotto | G Minor | 1 | 6A | 112 BPM | ||
| The Last Farm 1 | Kjartan Sveinsson | C Minor | 3 | 5A | 160 BPM | ||
| Relations: I | Philippe Paquet, Quatuor Andara | D Minor | 3 | 7A | 172 BPM | ||
| Cellospheres | Richard Harwood, Rob Kelly | C Minor | 3 | 5A | 83 BPM | ||
| Cambridge 1963 (Arr. Knoth for Solo Violin & Ensemble) - From “The Theory of Everything“ | Jóhann Jóhannsson, Mari Samuelsen, Soyoung Yoon, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 2 | 6B | 80 BPM | ||
| By This River (Arr. Badzura) | Brian Eno, Roedelius, Moebius, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | G Minor | 1 | 6A | 85 BPM |