Adam Sanders's ' "I've Been Meaning to Call" was released on its scheduled release date, November 18, 2016. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in I've Been Meaning to Call and no other songs are present in the album, we classify this track as a single. Based on our statistics, I've Been Meaning to Call's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of I've Been Meaning to Call by Adam Sanders to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There's a Girl | Trent Harmon | G Major | 8 | 9B | 97 BPM | ||
| God Made A Woman | Jerrod Niemann | G Major | 5 | 9B | 132 BPM | ||
| Might As Well Be Me | Chad Brownlee | A Major | 8 | 11B | 148 BPM | ||
| Missing One | Jameson Rodgers | D Major | 7 | 10B | 107 BPM | ||
| Rockin' All Night Long | Adam Hambrick | E♭ Major | 6 | 5B | 146 BPM | ||
| How Does It Sound | Dylan Schneider | G Major | 8 | 9B | 82 BPM | ||
| I Still Pick Up | John King | B Major | 9 | 1B | 129 BPM | ||
| Mad Love | Canaan Smith | G Minor | 7 | 6A | 142 BPM | ||
| Hell On A Highway | Justin Moore | C Major | 8 | 8B | 132 BPM | ||
| Maybe We Will | Noah Schnacky | E Major | 5 | 12B | 170 BPM | ||
| Break Down On Me | Brandon Lay | E♭ Major | 5 | 5B | 114 BPM | ||
| Love Like We Used To | Troy Cartwright | D Major | 8 | 10B | 142 BPM | ||
| This Isn't Easy | Josh Abbott Band | E Major | 6 | 12B | 133 BPM | ||
| Southern Drawl | Jon Langston | G Major | 8 | 9B | 78 BPM | ||
| Sunday Morning | Parmalee | D Major | 9 | 10B | 110 BPM | ||
| Ease Your Pain | David Nail | A♭ Minor | 8 | 1A | 80 BPM | ||
| Like We Do | Cale Dodds | C Major | 8 | 8B | 96 BPM | ||
| Amnesia | Josh Abbott Band | C Major | 9 | 8B | 150 BPM | ||
| Slow Down Small Town | Drew Parker | A Major | 6 | 11B | 130 BPM | ||
| Take You Back | Cale Dodds | D♭ Major | 8 | 3B | 160 BPM | ||
| Things I've Loved & Lost | Luke Pell | A♭ Major | 8 | 4B | 140 BPM | ||
| Southern Boy (with Jason Aldean) | Jordan Rager | D♭ Major | 3 | 3B | 173 BPM | ||
| No Problem | Dylan Schneider | F Major | 9 | 7B | 164 BPM | ||
| Best Part of Me Is You | Jacob Bryant | A♭ Major | 8 | 4B | 136 BPM | ||
| Why Can’t She | Adam Craig | A♭ Major | 8 | 4B | 80 BPM |