Pandit. Anand Bhate, Raghunandan Panshikar's 'Javwari Re Tavwari' had a release date set for November 17, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaikunthanayaka: Spiritual Music by Jeevan Dharmadhikari by Various Artists. The song's track number on the album is #10 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Javwari Re Tavwari's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Javwari Re Tavwari by Pandit. Anand Bhate, Raghunandan Panshikar has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Javwari Re Tavwari being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dharuni Bot Swaminche | Mahesh Kale | D♭ Major | 6 | 3B | 103 BPM | ||
| Taraka Bindige | N Parthasarathy, Spoorthi Rao | F Major | 2 | 7B | 74 BPM | ||
| Akalkoticha Swami Tu | Mahendra Warekar, Ravindra Sathe | C Major | 6 | 8B | 100 BPM | ||
| Shree Yamunashtakam - Raag Bhairav | Maya Deepak | D♭ Major | 4 | 3B | 100 BPM | ||
| Innyaka Barali Nimmuriga | Ramalingaiah Gowda | B♭ Minor | 7 | 3A | 168 BPM | ||
| Kalpa Vruksh Bhaktaraksha | Neerja Pandit | D♭ Major | 8 | 3B | 125 BPM | ||
| Vasudevasutham Devam | Mallika Dharnana | G Major | 2 | 9B | 169 BPM | ||
| Aadhar Ghote Aadhar Aasha | Asitava | F Major | 4 | 7B | 171 BPM | ||
| Pandharicha Sakha Pandurang | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Chauri Varu Tujvari | Vaishali Samant | E♭ Major | 4 | 5B | 120 BPM | ||
| Radhe Tula Bolavito | Vishnubuva Vavanjekar | B♭ Minor | 8 | 3A | 108 BPM | ||
| Shree Ganaray Nartan Kari | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Kayabeku Vaayu Suthane | Anantha Kulkarni | G Major | 7 | 9B | 158 BPM | ||
| Hare Krishna Mahamantra Melody 5 | Kirtan Lounge, Agnideva Das, Bada Haridas | F♯ Major | 6 | 2B | 105 BPM | ||
| Panch Vakt Rudra Mantra | Trupti Dave, Mayuri Barot | D♭ Major | 5 | 3B | 100 BPM | ||
| Kalki Stuthi 1 | V. Ramakrishna | F Minor | 2 | 4A | 88 BPM | ||
| Dharila Pandharicha Chor | Godavaribai Munde, Rameshbuva Shegaonkar | F♯ Major | 4 | 2B | 111 BPM | ||
| Hathe Hem Ni Pochi Virane | Devalben Gadhvi | E♭ Major | 7 | 5B | 82 BPM | ||
| Tvamasmin | Sri Ganapathy Sachchidananda Swamiji | F♯ Major | 6 | 2B | 102 BPM | ||
| Chamakam | Hari Achuta Rama Sastry | E Minor | 3 | 9A | 112 BPM | ||
| Asa Kasa Devacha Dev | Ragunath Khandalkar | A♭ Major | 4 | 4B | 170 BPM | ||
| Jya Sukha Karne | Vishnubua Vavnjekar | E♭ Major | 7 | 5B | 96 BPM | ||
| Ambe Maa | Bhanumathi Narasimhan | E Major | 5 | 12B | 94 BPM | ||
| Tujhe Dakya Karu | Baba Maharaj Satarkar | B♭ Major | 7 | 6B | 75 BPM | ||
| Kirtan Sohila Path | Nitnem Path | D♭ Major | 2 | 3B | 52 BPM |