Lambert, Hendricks & Ross's ' "Things Ain't What They Used To Be" was released on its scheduled release date, November 5, 1996. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Things Ain't What They Used To Be's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "The Hottest New Group In Jazz". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Things Ain't What They Used To Be is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Things Ain't What They Used To Be by Lambert, Hendricks & Ross having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tootie Ma | Herlin Riley | A♭ Major | 8 | 4B | 97 BPM | ||
| Voicemail Blues | Jazzmeia Horn | C Major | 5 | 8B | 133 BPM | ||
| Baltimore Oriole | Sheila Jordan | G Minor | 1 | 6A | 99 BPM | ||
| You're Gonna Hear from Me | Veronica Swift | C Minor | 3 | 5A | 75 BPM | ||
| Daddy-O | Steve Lucky & The Rhumba Bums | B♭ Major | 4 | 6B | 139 BPM | ||
| Its Delovely | Stacey Kent, Andrew De Jong Cleyndert, Colin Oxley, David Newton, Jim Tomlinson, Steve Brown | G Minor | 2 | 6A | 137 BPM | ||
| Million Dollar Secret | Helen Humes | F♯ Major | 1 | 2B | 104 BPM | ||
| Skylark | Hoagy Carmichael | D♭ Major | 1 | 3B | 70 BPM | ||
| What Am I Here For? | Lambert, Hendricks & Ross | B♭ Major | 3 | 6B | 115 BPM | ||
| French Poodle | Sam Butera, The Witnesses | F Major | 2 | 7B | 117 BPM | ||
| Be careful | Buddy Johnson & His Orchestra, Buddy Johnson | C Major | 2 | 8B | 121 BPM | ||
| I Remember You | Jazzmeia Horn | F Minor | 4 | 4A | 139 BPM | ||
| How Little We Know | Susannah McCorkle | D♭ Major | 2 | 3B | 121 BPM | ||
| Oh Yes, Take Another Guess | Catherine Russell | B♭ Major | 2 | 6B | 140 BPM | ||
| Rhythm Is Our Business | Jimmie Lunceford | F Major | 2 | 7B | 117 BPM | ||
| Straighten Up And Fly Right | Natalie Cole | F Minor | 3 | 4A | 150 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| It Only Happens When I Dance with You | Chris Connor | C Minor | 2 | 5A | 133 BPM | ||
| Supper Time | Nancy Wilson | F♯ Major | 1 | 2B | 107 BPM | ||
| Let Me Off Uptown | Gene Krupa Big Band, Anita O'Day, Roy Eldridge | A♭ Major | 3 | 4B | 133 BPM | ||
| Satin Doll | Carol Sloane, Roland Hanna, George Mraz, Richie Pratt | C Major | 2 | 8B | 136 BPM | ||
| My One And Only Love | Lorez Alexandria | F Minor | 0 | 4A | 93 BPM | ||
| Home Cookin' | Lambert, Hendricks & Ross, Ike Isaacs Trio | B♭ Minor | 2 | 3A | 74 BPM | ||
| Dejection Blues | The Milt Jackson Quartet | E♭ Major | 4 | 5B | 115 BPM | ||
| Popity Pop | Lambert, Hendricks & Ross | D Minor | 3 | 7A | 141 BPM |