"土井康司/風わたる樫の木 第一楽章" by 土井康司, 紫園香 had its release date on September 10, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 19 in Be Still, My Soul~安かれわが心よ~ by 紫園香. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 土井康司/風わたる樫の木 第一楽章 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 土井康司/風わたる樫の木 第一楽章 by 土井康司, 紫園香 is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drama Köprüsü | Cihat Aşkın, Mehru Ensari | C Minor | 2 | 5A | 100 BPM | ||
| Nocturne in E-Flat Major, Op. 9, No. 2 | Frédéric Chopin, Elizabeth Mann, Deborah Hoffman | D Major | 1 | 10B | 136 BPM | ||
| Vesperae Solennes de Confessore in C Major, K. 339: V. Laudate Dominum | Nicholas Britell | F Major | 1 | 7B | 84 BPM | ||
| Fauré: Après un rêve | Gabriel Fauré, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | ||
| Armin (Arr. for Baroque Ensemble by Tineke Steenbrink) | Eric Vloeimans, Holland Baroque Society | D Minor | 1 | 7A | 80 BPM | ||
| Swan | Masami Takeuchi | G Major | 0 | 9B | 70 BPM | ||
| Song of Shadows | Paolo MIllon, Neon Lilith, Barbara Norbert | D Major | 3 | 10B | 144 BPM | ||
| Angels in the Bleak Midwinter | Larry Clark, Loren Li, Sartartia Middle School Orchestra, Ann Victor | F Major | 2 | 7B | 73 BPM | ||
| La Romanesca | Adrien François Servais, Sol Gabetta, Cappella Gabetta | B Minor | 1 | 10A | 78 BPM | ||
| 8 Humoresques, Op. 101, B. 187, No. 7. Poco lento e grazioso in G-Flat Major: 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso in G-Flat Major (Arr. G. Saenger) | Antonín Dvořák, Jaime Laredo, Margo Garrett | G Major | 0 | 9B | 84 BPM | ||
| Prayer for the Ukraine (Arr. for Cello and Orchestra by Julian Riem) | Valentin Silvestrov, Raphaela Gromes, Ukraine National Symphony Orchestra, Volodymyr Sirenko | D♭ Major | 3 | 3B | 116 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Rêverie | Claude Debussy, Julian Cawdrey, Pierre-Michel Vigneau | D Minor | 1 | 7A | 84 BPM | ||
| Fauré / Transc. Büsser: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | F Minor | 1 | 4A | 80 BPM | ||
| Oboe Concerto in G Major, TWV 51:2: I. Andante | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E Minor | 1 | 9A | 73 BPM | ||
| Liebesleid | Fritz Kreisler, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | ||
| Romanian Folk Dances Sz. 56: IV. Dance from Bucium | Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra | C Major | 2 | 8B | 73 BPM | ||
| 5 Stücke im Volkston, Op. 102 (Arr. for Oboe & Piano by Stephan Korody-Kreutzer): No. 2, Langsam | Robert Schumann, Nicholas Daniel, Julius Drake | F Major | 0 | 7B | 65 BPM | ||
| Piano Concerto No. 11 in F Major K. 413, Arr. for Accordion and Chamber Orchestra: II. Larghetto | Wolfgang Amadeus Mozart, Viviane Chassot, Camerata Bern | B♭ Major | 0 | 6B | 97 BPM | ||
| Haydn: Piano Concerto in G Major, Hob XVIII:4: II. Adagio | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 137 BPM | ||
| Ave Maria | Charles Gounod, Yo-Yo Ma, Kathryn Stott | C Major | 0 | 8B | 87 BPM | ||
| Andante et Scherzo for Flute and Piano by Louis Ganne | Louis Ganne, Laurel Zucker, Paul Switzler | D Major | 1 | 10B | 87 BPM | ||
| Elgajiye | Cihat Aşkın, Mehru Ensari | G Minor | 2 | 6A | 71 BPM | ||
| Lolita | Ennio Morricone | E Minor | 1 | 9A | 181 BPM | ||
| Youkali | Romain Leleu, Ensemble Convergences | D Minor | 1 | 7A | 81 BPM |