"Ghosts - Amazing Grace Original Score" by David Arnold had its release date on January 1, 2007. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 25 in Amazing Grace Original Score by David Arnold. The popularity of Ghosts - Amazing Grace Original Score is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ghosts - Amazing Grace Original Score by David Arnold is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bitch is Dead | David Arnold | E Minor | 0 | 9A | 91 BPM | ||
| Cracking The Chrysanthemums Cypher | Daniel Pemberton | D Minor | 2 | 7A | 102 BPM | ||
| Los Muertos Vivos Estan - From “Spectre” Soundtrack | Thomas Newman, Tambuco | B Minor | 4 | 10A | 90 BPM | ||
| Through Falling Snow | Jóhann Jóhannsson | C Minor | 1 | 5A | 68 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| John is Quite a Guy | David Arnold, Michael Price | D♭ Major | 7 | 3B | 120 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| Locomotives | Ruth Barrett | A♭ Minor | 4 | 1A | 94 BPM | ||
| Tennyson | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | B♭ Minor | 1 | 3A | 158 BPM | ||
| Double-Dipping | Nathan Johnson | A♭ Major | 1 | 4B | 124 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM | ||
| The Game is On | David Arnold, Michael Price | C Major | 3 | 8B | 120 BPM | ||
| Making Water | Harry Gregson-Williams | B♭ Major | 3 | 6B | 116 BPM | ||
| A Discovery | Junkie XL | F Minor | 1 | 4A | 111 BPM | ||
| Elizabeth's Portrait | Max Richter | E Minor | 2 | 9A | 137 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| Snape to Malfoy Manor | Alexandre Desplat | D Major | 5 | 10B | 63 BPM | ||
| Aphrodite | Siddhartha Khosla | D Minor | 3 | 7A | 130 BPM | ||
| Main Title Theme - Westworld | Ramin Djawadi | F Major | 4 | 7B | 111 BPM | ||
| The King Is Dead | Martin Phipps | D Minor | 2 | 7A | 96 BPM | ||
| Eastern Promises | Howard Shore, London Philharmonic Orchestra | F Minor | 2 | 4A | 97 BPM | ||
| Potential Clients | David Arnold, Michael Price | G Minor | 2 | 6A | 147 BPM |