"Matt Takes Off" by John Williams had its release date on January 1, 1998. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in John Williams's "Midway (Original Motion Picture Score)" album is number 20 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, Matt Takes Off is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matt Takes Off by John Williams to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main on End | Alan Silvestri | G Major | 5 | 9B | 170 BPM | ||
| The Breaking of the Fellowship (feat. "In Dreams") | Howard Shore, Edward Ross | D Major | 1 | 10B | 79 BPM | ||
| Lawrence Of Arabia: Theme | London Festival Orchestra, Stanley Black | A Major | 3 | 11B | 168 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| The Friends | Nicholas Hooper | C Major | 1 | 8B | 74 BPM | ||
| Love Theme From "The Godfather" | Nino Rota, Carlo Savina | D♭ Major | 2 | 3B | 69 BPM | ||
| Glasgow Love Theme - From "Love Actually" | Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Major | 1 | 11B | 136 BPM | ||
| Dad | Mychael Danna, Jeff Danna | D♭ Minor | 2 | 12A | 98 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| Pink | David Arnold, Michael Price | B♭ Major | 2 | 6B | 112 BPM | ||
| Destiny | Marc Streitenfeld | A Minor | 2 | 8A | 144 BPM | ||
| Captain Marvel | Pinar Toprak | C Major | 5 | 8B | 105 BPM | ||
| Miss Peregrine's Home for Peculiar Children | Mike Higham, Matthew Margeson | D Major | 3 | 10B | 89 BPM | ||
| 2001 (A Space Odyssey) | DLG Orchestra | C Major | 2 | 8B | 75 BPM | ||
| Lucy Meets Mr. Tumnus | Harry Gregson-Williams | F Major | 0 | 7B | 92 BPM | ||
| In The Shadow Of A Shrine | Junkie XL | C Minor | 1 | 5A | 137 BPM | ||
| The Batman Theme | Danny Elfman | A♭ Major | 1 | 4B | 87 BPM | ||
| Your Hands Are Cold - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | D Major | 0 | 10B | 143 BPM | ||
| Main Theme - From 'Chariots of Fire' | Elmer Bernstein, John Barry, Vangelis, The Royal Philharmonic Orchestra/Nic Raine | C Major | 4 | 8B | 138 BPM | ||
| The Story Continues | Patrick Doyle | C Major | 3 | 8B | 124 BPM | ||
| The Mandalorian - Orchestral Version | Ludwig Göransson | D Minor | 2 | 7A | 83 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Every 27 Years | Benjamin Wallfisch | E Major | 1 | 12B | 118 BPM | ||
| Thor: The Dark World - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 7 | 6B | 68 BPM | ||
| Neville's Waltz | Patrick Doyle | D Major | 1 | 10B | 96 BPM |