On December 1, 1984, the song "Sholay Sholay" was released by Lata Mangeshkar, Mohammed Rafi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bappi Lahiri's "Locket (Original Motion Picture Soundtrack)" album is number 5 out of 6. In terms of popularity, Sholay Sholay is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sholay Sholay by Lata Mangeshkar, Mohammed Rafi to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Milo Na Tum To Hum Ghabraye (From "Heer Ranjha") | Tabassum, Lata Mangeshkar | G Minor | 6 | 6A | 147 BPM | ||
| Baharo Phool Barsao (From "Suraj") | Mohammed Rafi | E♭ Minor | 5 | 2A | 168 BPM | ||
| Commentry Tabassum And Aaiye Meharban - Howrah Bridge | Tabassum, Asha Bhosle, O. P. Nayyar | C Major | 5 | 8B | 119 BPM | ||
| Mera Dil Yeh Pukare Aaja - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar | C Minor | 5 | 5A | 182 BPM | ||
| Jeena Nahi | Amit Kumar, Anuradha Paudwal | B♭ Minor | 6 | 3A | 103 BPM | ||
| Man Dole Mera Tan Dole With Been Music | Ravi, Kalyanji Virji Shah, Lata Mangeshkar, Hemant Kumar | F Minor | 5 | 4A | 107 BPM | ||
| Apne | Sonu Nigam, Jayesh Gandhi, Jaspinder Narula | F♯ Major | 7 | 2B | 176 BPM | ||
| Jane Woh Kaise Log The | Hemant Kumar | E Major | 3 | 12B | 93 BPM | ||
| Do Deewane Shaher Mein | Runa Laila, Bhupinder Singh, Gulzar | B♭ Major | 7 | 6B | 84 BPM | ||
| Zindagi Ki Na Toote Ladi - Jhankar Beats | DJ Harshit Shah, DJ MHD IND, Lata Mangeshkar, Nitin Mukesh | A Major | 9 | 11B | 87 BPM | ||
| Tadap Tadap (From "Hum Dil De Chuke Sanam") | KK, Dominique | A♭ Major | 3 | 4B | 76 BPM | ||
| Huzur Is Kadar | Bhupinder Singh, Suresh Wadkar, R. D. Burman | G Minor | 6 | 6A | 120 BPM | ||
| Naina O Meri Naina | Amit Kumar | E Minor | 6 | 9A | 106 BPM | ||
| In Ankhon Ki Masti | Asha Bhosle | F Major | 5 | 7B | 108 BPM | ||
| Dekh Lo Aaj Hamko | Jagjit Kaur | A♭ Major | 4 | 4B | 88 BPM | ||
| Jeevan Ke Din, Pt. 1 | Udit Narayan, Baby Preeti, Majrooh Sultanpuri | B♭ Minor | 5 | 3A | 149 BPM | ||
| Wafa Jo Na Ki | Hemlata, Kalyanji-Anandji | A Major | 6 | 11B | 83 BPM | ||
| Yeh Teri Aankhen Jhuki Jhuki | Jatin-Lalit | B Minor | 7 | 10A | 90 BPM | ||
| O Meri Ladli (Part - 1) | Suman Kalyanpur | E Minor | 9 | 9A | 171 BPM | ||
| YARA SEELI SEELI | Lata Mangeshkar | D♭ Major | 5 | 3B | 170 BPM | ||
| Sheesha Ho Ya Dil Ho | Lata Mangeshkar | D Minor | 5 | 7A | 88 BPM | ||
| Bholi Si Surat | Uttam Singh, Lata Mangeshkar, Udit Narayan, Anand Bakshi | F Major | 7 | 7B | 87 BPM | ||
| Wafa Na Raas Aayee Tujhe O Harjaee | Nitin Mukesh | D♭ Major | 7 | 3B | 111 BPM | ||
| Chandi Jaisa Rang Hai | Pankaj Udhas | A Major | 7 | 11B | 77 BPM | ||
| Likhe Jo Khat Tujhe (From "Kanyadaan") | Mohammed Rafi | B Minor | 4 | 10A | 107 BPM |