Dizzy Gillespie's ' "Matrix" was released on its scheduled release date, 1970. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "The Real Thing". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Matrix is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Matrix by Dizzy Gillespie having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moanin' | Art Blakey & The Jazz Messengers | F Minor | 5 | 4A | 126 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM | ||
| Dat Dere (Live) | Bobby Timmons Trio | A♭ Major | 1 | 4B | 147 BPM | ||
| Easy To Love | Ahmad Jamal | B♭ Major | 2 | 6B | 135 BPM | ||
| My One And Only Love | Chick Corea, Malcolm Addey | F Minor | 3 | 4A | 79 BPM | ||
| Caravan | Dizzy Gillespie | D♭ Major | 6 | 3B | 166 BPM | ||
| Woodyn' You | Dizzy Gillespie | A Major | 2 | 11B | 110 BPM | ||
| One For Daddy-O | Cannonball Adderley | F Minor | 4 | 4A | 108 BPM | ||
| Violets For Your Furs | Jutta Hipp, Zoot Sims | E♭ Major | 1 | 5B | 67 BPM | ||
| Well, You Needn't | Thelonious Monk Septet | F Minor | 3 | 4A | 90 BPM | ||
| Mamacita | Joe Henderson | B♭ Major | 5 | 6B | 175 BPM | ||
| But Not For Me - Live At The Pershing, Chicago, 1958 | Ahmad Jamal Trio | A♭ Major | 6 | 4B | 126 BPM | ||
| Hoe Down | Oliver Nelson | C Major | 6 | 8B | 125 BPM | ||
| Cherokee | Clifford Brown, Max Roach Quintet | E♭ Major | 7 | 5B | 87 BPM | ||
| The Blues Walk | Clifford Brown, Max Roach Quintet | B♭ Major | 7 | 6B | 130 BPM | ||
| The Midnight Sun Will Never Set | Benny Carter | G Minor | 3 | 6A | 72 BPM | ||
| You'd Be So Nice to Come Home To | Art Pepper | F Major | 4 | 7B | 89 BPM | ||
| It Could Happen To You | Miles Davis Quintet | F Minor | 4 | 4A | 94 BPM | ||
| Desafinado | Dizzy Gillespie | B Minor | 5 | 10A | 135 BPM | ||
| Waltz for Debby | Cannonball Adderley | D Minor | 3 | 7A | 162 BPM | ||
| My Little Suede Shoes | Charlie Parker And His Orchestra | C Minor | 4 | 5A | 146 BPM | ||
| Chelsea Bridge | Billy Strayhorn | A♭ Major | 1 | 4B | 76 BPM | ||
| Subconscious-Lee | Lee Konitz | F Minor | 4 | 4A | 123 BPM | ||
| 'Round Midnight | Wes Montgomery Trio | E♭ Minor | 1 | 2A | 118 BPM | ||
| Things To Come | ディジー・ガレスピー・オーケストラ | B♭ Minor | 6 | 3A | 85 BPM |