"Final Round" by Danny Elfman had its release date on January 1, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Real Steel (Original Motion Picture Score)". In this album, this song's track order is #18. Final Round is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Final Round by Danny Elfman having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morocco Pursuit | Joe Kraemer | D Minor | 6 | 7A | 80 BPM | ||
| Science and Magic | Patrick Doyle | F Major | 0 | 7B | 71 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| Beyond Good and Evil | Junkie XL | G Minor | 3 | 6A | 137 BPM | ||
| Let Them Up | Junkie XL | C Major | 5 | 8B | 123 BPM | ||
| The Hyperspace Jump | Kevin Kiner | F♯ Minor | 4 | 11A | 100 BPM | ||
| Overture - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 1 | 3B | 73 BPM | ||
| Farewell | Danny Elfman | C Major | 1 | 8B | 101 BPM | ||
| The Center Of The Earth | Andrew Lockington | G Major | 1 | 9B | 80 BPM | ||
| To Become a Kingsman | Henry Jackman, Matthew Margeson | C Major | 5 | 8B | 109 BPM | ||
| Fearful Odds | M83, Anthony Gonzalez, Joseph Trapanese | F Minor | 4 | 4A | 120 BPM | ||
| Going Home (End Titles from “Master of the Air”) | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Daredevil Theme | Graeme Revell | D Major | 3 | 10B | 150 BPM | ||
| Ascension | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| A New King | Patrick Doyle | D Minor | 1 | 7A | 67 BPM | ||
| Flight of the Order of the Phoenix | Nicholas Hooper | D Major | 5 | 10B | 106 BPM | ||
| Walking on Air | John Murphy | D Major | 7 | 10B | 86 BPM | ||
| Little Secrets / Power of the Sun | John Ottman | A Minor | 1 | 8A | 87 BPM | ||
| Overture And A Prisoner Of The Crusades (From Chains To Freedom) | Michael Kamen | C Major | 3 | 8B | 145 BPM | ||
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
| Eddie The Eagle | Matthew Margeson | C Major | 3 | 8B | 142 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| Arkham Knight (Main Theme) | David Buckley | C Minor | 3 | 5A | 111 BPM | ||
| Midway Main Theme | Thomas Wander, Harald Kloser | G Major | 1 | 9B | 175 BPM |