Wé McDonald's 'Take Me to Church - The Voice Performance' had a release date set for December 14, 2016. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Complete Season 11 Collection (The Voice Performance)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Take Me to Church - The Voice Performance's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Take Me to Church - The Voice Performance by Wé McDonald having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let It Be - The Voice Performance | Kyla Jade | A♭ Major | 3 | 4B | 116 BPM | ||
| Take Me to the River | Katie Kadan | A Minor | 6 | 8A | 125 BPM | ||
| Sitting on the Dock of the Bay | Tara Mahajan | A Minor | 3 | 8A | 161 BPM | ||
| Enter Sandman | SHEL | E Minor | 4 | 9A | 113 BPM | ||
| Pauvre Coeur | Jillette Johnson | G Major | 4 | 9B | 204 BPM | ||
| Wine on the Bible | Caela Raye | G Minor | 1 | 6A | 77 BPM | ||
| I'm Going Down - The Voice Performance | Katie Kadan | C Major | 6 | 8B | 98 BPM | ||
| Dust Moto | Naileris Sirits | G Major | 4 | 9B | 108 BPM | ||
| Don't Stop Believin' - The Voice Performance | Terry McDermott | E♭ Major | 9 | 5B | 120 BPM | ||
| Clear Water Lies | Deimars Trumps | G Major | 4 | 9B | 108 BPM | ||
| How Great Thou Art - The Voice Performance | Kyla Jade | D Major | 5 | 10B | 96 BPM | ||
| Misery | Ivy Levan | D Major | 5 | 10B | 134 BPM | ||
| You Don’t Own Me - The Voice Performance | Darby Walker | G Major | 7 | 9B | 189 BPM | ||
| Creep - The Four Performance | VINCINT | B♭ Major | 7 | 6B | 179 BPM | ||
| When A Man Loves A Woman - The Voice Performance | Trevin Hunte | D♭ Major | 7 | 3B | 98 BPM | ||
| Ocean Kisses | Grace Kinstler | E Major | 7 | 12B | 90 BPM | ||
| Take Me To Church - The Voice Performance | Matt McAndrew | E Minor | 7 | 9A | 128 BPM | ||
| And I'm Telling You I'm Not Going | Dami Im | B♭ Major | 4 | 6B | 124 BPM | ||
| And I Am Telling You I'm Not Going - The Voice Performance | Trevin Hunte | D♭ Major | 8 | 3B | 120 BPM | ||
| Anyone Who Had A Heart | Brenna Whitaker | F♯ Major | 5 | 2B | 159 BPM | ||
| Ain't No Mountain High Enough - The Voice Performance | Celeste Betton, Mark Hood | F Minor | 9 | 4A | 129 BPM | ||
| Mad World - The Voice Performance | Taylor John Williams | E Major | 4 | 12B | 174 BPM | ||
| Back To Black - The Voice Performance | Jacquie | F♯ Minor | 6 | 11A | 124 BPM | ||
| Prism | NOIRSEY | B♭ Minor | 3 | 3A | 130 BPM | ||
| Vienna - The Voice Performance | Andrew DeMuro | B♭ Major | 6 | 6B | 128 BPM |