"Handel: "Haec est Regina virginum", HWV 235" by George Frideric Handel, Jill Feldman/Dame Emma Kirkby/Emily Van Evera/Margaret Cable/Mary Nichols/Joseph Cornwell/David Thomas/Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott, Taverner Players had its release date on January 1, 1989. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Andrew Parrott's "Handel - Carmelite Vespers" album is number 11 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Handel: "Haec est Regina virginum", HWV 235 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: "Haec est Regina virginum", HWV 235 by George Frideric Handel, Jill Feldman/Dame Emma Kirkby/Emily Van Evera/Margaret Cable/Mary Nichols/Joseph Cornwell/David Thomas/Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott, Taverner Players to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quintet No. 60 in C Major, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Cuarteto Casals, Eckart Runge | C Major | 1 | 8B | 103 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Concerto Grosso in B Minor, Op. 6, No. 12, HWV 330: II. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert | D♭ Minor | 1 | 12A | 76 BPM | ||
| Trio Sonata in B Minor, H. 567: III. Presto | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | A Major | 2 | 11B | 110 BPM | ||
| Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) | Accademia Bizantina | F♯ Minor | 3 | 11A | 120 BPM | ||
| J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 113 BPM | ||
| Concerto in C minor, BWV 1060: I. Allegro | Johann Sebastian Bach, Christian Hommel, Lisa Stewart, Cologne Chamber Orchestra, Helmut Müller-Brühl | C Minor | 2 | 5A | 98 BPM | ||
| Requiem in C Minor, MH 559: Kyrie | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | C Minor | 2 | 5A | 78 BPM | ||
| Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 142 BPM | ||
| Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine | George Frideric Handel, Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | E Major | 0 | 12B | 100 BPM | ||
| Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
| Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | ||
| Oboe Concerto in E Minor, TWV 51:e1: I. Andante | Georg Philipp Telemann, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | E Minor | 2 | 9A | 74 BPM | ||
| Staircase Overture, Z. 614 | Henry Purcell, Christopher Hogwood, Paul O'Dette, Laurence Dreyfus, Academy of Ancient Music | A Major | 2 | 11B | 104 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Handel: Berenice, HWV 38, Overture: II. Andante (Larghetto) | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 77 BPM | ||
| II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: I. | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | A♭ Minor | 3 | 1A | 93 BPM | ||
| Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
| Serenata notturna in D Major, K. 239: III. Rondeau Allegretto – Adagio – Allegro | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 98 BPM | ||
| Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Concerto in F Major, S. 234: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | C Minor | 2 | 5A | 98 BPM |