Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies's 'Quinta a 4, Canto Alto Tenor Basse' had a release date set for January 1, 2003. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 21 in Frescobaldi: Canzoni by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Quinta a 4, Canto Alto Tenor Basse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quinta a 4, Canto Alto Tenor Basse by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Delight pavan (Arr. For 2 lutes) | John Johnson, Ronn McFarlane, William Simms | F Major | 1 | 7B | 119 BPM | ||
| Sonata No. 103 in B-Flat Major: VI. Gigue | Silvius Leopold Weiss, Evangelina Mascardi | F Minor | 1 | 4A | 132 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Lute Sonata No. 11 in D Minor: III. Courante | Silvius Leopold Weiss, Robert Barto | C Major | 1 | 8B | 98 BPM | ||
| 5e livre de viole: Dialogue (Légèrement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | B Minor | 2 | 10A | 181 BPM | ||
| Prélude, Allegro and Ciaccone in E-Flat Major: III. Ciaccone | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 82 BPM | ||
| Dowland on the Continent - The King of Denmark's Galliard | Hopkinson Smith, John Dowland | A Minor | 1 | 8A | 108 BPM | ||
| Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
| Capten Magan - Creamonea - Planksty - John Drury (Second Air) - The Seas Are Deep - Lord Gallaways Lamentation | Turlough O'Carolan, Bruno Cocset, Les Basses Réunies | D♭ Minor | 0 | 12A | 96 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Toccata per spinettina, è violino | Girolamo Frescobaldi, Latitude 37, Donald Nicolson, Julia Fredersdorff, Laura Vaughan, Simon Martyn-Ellis | A Minor | 2 | 8A | 73 BPM | ||
| Sinfonia grave | Salomone Rossi, Capella De La Torre, Katharina Bauml | C Major | 3 | 8B | 84 BPM | ||
| Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | ||
| Suite in G Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 93 BPM | ||
| Da pacem domine | Franz Tunder, Capella De La Torre, Katharina Bauml | B♭ Major | 1 | 6B | 76 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Mascarade | Israel Golani | F♯ Minor | 0 | 11A | 76 BPM | ||
| Libro de Música de Vihuela de Mano "El Maestro": Pavana No. 1 | Luis de Milán, José Antonio Escobar | B Major | 0 | 1B | 97 BPM | ||
| Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
| Sonata No. 1 en Si Mineur, Livre I: IV. Allegro | Jean Barrière, Bruno Cocset, Les Basses Réunies | D♭ Major | 2 | 3B | 66 BPM | ||
| Orlando Sleepeth, P. 61 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Couperin, L: Simphonie par Mr. Couperin en la mineur | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Sonates pour le violoncelle avec la basse continue, livre II, sonate No. 2: IV. Giga | Jean Barrière, Bruno Cocset, Les Basses Réunies, Guido Balestracci | F Minor | 1 | 4A | 65 BPM | ||
| Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM |