Hiroko Mita's ' "駈けてきた処女" was released on its scheduled release date, 1999. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hiroko Mita's "GOLDEN J-POP/THE BEST 三田寛子" album is number 1 out of 21. On top of that, Japan appears to be the country where this track was created. Based on our statistics, 駈けてきた処女's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 駈けてきた処女 by Hiroko Mita to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Natsuiro no Diary | Chiemi Hori | F♯ Major | 9 | 2B | 144 BPM | ||
| TRUE LOVE - 2015 Remaster | 浅香 唯 | A Major | 8 | 11B | 119 BPM | ||
| ルーム・ライト | Saori Yuki | B♭ Major | 4 | 6B | 103 BPM | ||
| 唇のプライバシー | Naoko Kawai | E Minor | 9 | 9A | 154 BPM | ||
| HARD TO SAY "I LOVE YOU" | Minako Honda | E♭ Major | 3 | 5B | 142 BPM | ||
| 初恋 | Hiroko Mita | D♭ Minor | 7 | 12A | 130 BPM | ||
| さよならと言われて | Noriko Matsumoto | B♭ Major | 5 | 6B | 134 BPM | ||
| かげふみ | Kozo Murashita | E Minor | 4 | 9A | 145 BPM | ||
| 瞳で話して | Hiroko Yakushimaru | C Minor | 6 | 5A | 111 BPM | ||
| ハレーロマンス | Shohjo-tai | C Major | 7 | 8B | 140 BPM | ||
| Tokyo Sugar Town | Chiemi Hori | B Minor | 8 | 10A | 140 BPM | ||
| 死ぬまで笑ってて… | Hiroko Mita | D Minor | 8 | 7A | 149 BPM | ||
| PINKのCHAO | Minayo Watanabe | C Major | 10 | 8B | 143 BPM | ||
| おもいで岬 | Kenji Niinuma | F Major | 5 | 7B | 81 BPM | ||
| 砂の城 | Yuki Saito | G Major | 8 | 9B | 117 BPM | ||
| 夜が明けて | Sumiko Sakamoto | F♯ Minor | 5 | 11A | 81 BPM | ||
| この広い野原いっぱい | Ryoko Moriyama | F Major | 4 | 7B | 116 BPM | ||
| グッドラック・アンド・グッドバイ | Yuki Okazaki | G Major | 3 | 9B | 76 BPM | ||
| 春風のいたずら | Momoe Yamaguchi | G Minor | 5 | 6A | 125 BPM | ||
| 25時 | Saki Kubota | G Minor | 6 | 6A | 112 BPM | ||
| GEMINI | Naomi Kawashima | G Major | 6 | 9B | 92 BPM | ||
| Bye-Byeガール | Shohjo-tai | A Major | 7 | 11B | 98 BPM | ||
| スプリング・サンバ | Kumiko Ohba | D Minor | 7 | 7A | 117 BPM | ||
| 雨のステラ | Ginji Ito | G Major | 7 | 9B | 114 BPM | ||
| 100粒の涙 | Hiroko Yakushimaru | A Major | 6 | 11B | 102 BPM |