"The Desert Music: Second Movement (Moderate)" by Steve Reich, Brooklyn Philharmonic, Michael Tilson Thomas had its release date on September 13, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Desert Music". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, The Desert Music: Second Movement (Moderate)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Desert Music: Second Movement (Moderate) by Steve Reich, Brooklyn Philharmonic, Michael Tilson Thomas having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Obsolete Objects | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 162 BPM | ||
| Arabesque 3 - 2013 Remaster | Harold Budd | A Minor | 1 | 8A | 67 BPM | ||
| No. 3, Create New Pattern | Julius Eastman, Wild Up, Christopher Rountree | E♭ Major | 4 | 5B | 124 BPM | ||
| Dungtitled (In a Major) | Stars Of The Lid | A Major | 2 | 11B | 74 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| Sacrificial Code | Kali Malone | F♯ Minor | 0 | 11A | 68 BPM | ||
| Articulate Silences, Pt. 2 | Stars Of The Lid | D Major | 1 | 10B | 75 BPM | ||
| Sea-Watch | Floating Points | F Minor | 1 | 4A | 81 BPM | ||
| 2c | Kara-Lis Coverdale | F Minor | 3 | 4A | 81 BPM | ||
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| Piano Piece 1952 - Version 2 | Morton Feldman, Murcof, Vanessa Wagner | D♭ Major | 3 | 3B | 63 BPM | ||
| Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM | ||
| Tabula rasa: I. Ludus. Con moto - Live | Arvo Pärt, Gidon Kremer, Tatiana Grindenko, Alfred Schnittke, Lithuanian Chamber Orchestra, Saulus Sondeckis | A Minor | 1 | 8A | 95 BPM | ||
| Longing for a Frozen Sky | Ernst Reijseger | C Minor | 2 | 5A | 117 BPM | ||
| Closeness | Saryed | D♭ Major | 9 | 3B | 84 BPM | ||
| Creek | Hiroshi Yoshimura | G Major | 4 | 9B | 95 BPM | ||
| Greater Antiphons: IV. O Key of David | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Minor | 2 | 8A | 79 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Chartered Flight - 2008 Digital Remaster | Penguin Cafe Orchestra | F Major | 2 | 7B | 147 BPM | ||
| Act I: Train 1 | Philip Glass Ensemble | A♭ Major | 5 | 4B | 146 BPM | ||
| No. 1, Prime | Julius Eastman, Wild Up, Christopher Rountree | F Minor | 0 | 4A | 76 BPM | ||
| Phrygian Gates, Pt. 3 | John Adams | E♭ Major | 1 | 5B | 161 BPM | ||
| Clouds | Hiroshi Yoshimura | D Major | 1 | 10B | 107 BPM | ||
| Wind On Water | Robert Fripp, Brian Eno | B Major | 0 | 1B | 58 BPM | ||
| Six Pianos (Rework Section II) | Leon Weber, LCAW, Steve Reich | B Minor | 7 | 10A | 196 BPM |