Laith Al-Saadi's 'Complete Disgrace' had a release date set for September 1, 2013. This song is quite longer than the average track at 4 minutes and 56 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 8 in the song's album "Real.". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Complete Disgrace's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Complete Disgrace by Laith Al-Saadi having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hellfire | Joe Louis Walker | E Minor | 9 | 9A | 206 BPM | ||
| Need You Tonight | Bonnie Raitt | B♭ Minor | 7 | 3A | 104 BPM | ||
| Where You Been So Long | Mighty Sam McClain | G Major | 5 | 9B | 110 BPM | ||
| In the Winter Time | Sean Chambers | G Major | 4 | 9B | 149 BPM | ||
| Burn It Down | Eric Johanson | G Major | 5 | 9B | 74 BPM | ||
| Sitting On Top Of The World | Beth Hart, Joe Bonamassa | D Major | 8 | 10B | 204 BPM | ||
| Death Row | Mike Zito | D Major | 6 | 10B | 141 BPM | ||
| A Woman | JJ Grey & Mofro | C Major | 4 | 8B | 104 BPM | ||
| Walking Blues | Rory Block, Stefan Grossman | B♭ Major | 1 | 6B | 106 BPM | ||
| The Battle Is Over (But The War Goes On) | Shemekia Copeland | C Major | 7 | 8B | 107 BPM | ||
| Bloodline | Kenny Neal | E Major | 7 | 12B | 82 BPM | ||
| Shows What You Know | Vintage Trouble | B♭ Major | 4 | 6B | 83 BPM | ||
| I'd Love to Change the World | Philip Sayce | B Minor | 7 | 10A | 77 BPM | ||
| Ain't Drinkin' Beer No More | Robben Ford | D♭ Major | 5 | 3B | 101 BPM | ||
| My Silent Whiskey Blues | Daxlin Veylo | F Minor | 3 | 4A | 85 BPM | ||
| She Don't Cry No More | Fantastic Negrito | F Minor | 6 | 4A | 127 BPM | ||
| Whiskey in the Smoke | Chicago Blues Radio | D Minor | 3 | 7A | 121 BPM | ||
| Shiver and Sigh | Joanne Shaw Taylor | B♭ Minor | 7 | 3A | 96 BPM | ||
| Strong Like That | The Fabulous Thunderbirds | D Minor | 6 | 7A | 89 BPM | ||
| Sara Smile | Michael Burks | D Minor | 5 | 7A | 131 BPM | ||
| We The People | Guitar Shorty | C Major | 9 | 8B | 178 BPM | ||
| Wolf Den | Danielle Nicole | B Minor | 5 | 10A | 100 BPM | ||
| Southern Moon | Derek Hoke | A Minor | 5 | 8A | 147 BPM | ||
| I Feel Like Breakin' Up Somebody’s Home | Danielle Nicole | F Major | 6 | 7B | 94 BPM | ||
| The Letter - The Voice Performance | Laith Al-Saadi | A♭ Major | 9 | 4B | 186 BPM |