Blindside's ' "Where Eye Meets Eye" was released on its scheduled release date, December 14, 1999. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in A Thought Crushed My Mind by Blindside. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Where Eye Meets Eye is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Where Eye Meets Eye by Blindside is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Regime Change | Disciple | C Minor | 9 | 5A | 99 BPM | ||
| Frail Dreams And Rude Awakenings | Inhale Exhale | F Minor | 9 | 4A | 90 BPM | ||
| Slow Motion | Blindside | B Minor | 7 | 10A | 114 BPM | ||
| In Due Time | Submersed | F♯ Major | 10 | 2B | 121 BPM | ||
| Hot/Cold (Darling, Don't) | Strata | F♯ Major | 9 | 2B | 167 BPM | ||
| Nerve | Blindside | C Major | 9 | 8B | 100 BPM | ||
| American Classic | Silent Drive | F Minor | 8 | 4A | 140 BPM | ||
| Acceptance (Phase I) | Pulse Ultra | D Major | 9 | 10B | 146 BPM | ||
| The Way I Feel | 12 Stones | A♭ Major | 8 | 4B | 154 BPM | ||
| LCM | Children 18:3 | C Major | 9 | 8B | 90 BPM | ||
| Minuteman | Stavesacre | D Major | 9 | 10B | 109 BPM | ||
| Glass In The Trees | Dead Poetic | E Major | 9 | 12B | 136 BPM | ||
| Never There | Strata | E Major | 9 | 12B | 75 BPM | ||
| The Seduction | He Is Legend | D Minor | 9 | 7A | 108 BPM | ||
| Coma | Everything In Slow Motion | D Major | 8 | 10B | 130 BPM | ||
| The Endings | Blindside | B Major | 9 | 1B | 136 BPM | ||
| The Climb | The Sleeping | B Major | 8 | 1B | 137 BPM | ||
| Pencil Fight | Atomship | C Minor | 9 | 5A | 120 BPM | ||
| If You Like Me Check Yes, If You Don't I'll Die | Showbread | G Major | 10 | 9B | 94 BPM | ||
| The Last Song | 12 Stones | F♯ Minor | 9 | 11A | 166 BPM | ||
| On the Offensive | From Autumn To Ashes | E♭ Major | 9 | 5B | 90 BPM | ||
| Dictatorship vs. Democracy | Staple | C Major | 9 | 8B | 184 BPM | ||
| Lost in the Woods | Taproot | C Minor | 9 | 5A | 106 BPM | ||
| Sand | He Is Legend | G Major | 8 | 9B | 172 BPM | ||
| Dirty Little Secret | Pillar | A♭ Major | 10 | 4B | 110 BPM |