Marian McPartland, Elvis Costello's 'Almost Blue' had a release date set for July 12, 2005. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Almost Blue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Elvis Costello's "Marian McPartland's Piano Jazz Radio Broadcast With Elvis Costello" album is number 6 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Almost Blue's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Almost Blue by Marian McPartland, Elvis Costello to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Around The Corner | Barry Harris Trio | G Minor | 2 | 6A | 91 BPM | ||
| Derrumbe lóbrego | Cromatica nocturna | F Major | 6 | 7B | 98 BPM | ||
| Lover | Oscar Peterson | B♭ Minor | 3 | 3A | 100 BPM | ||
| Hi-Fly | Isaiah J. Thompson, Philip Norris, TJ Reddick | G Minor | 2 | 6A | 143 BPM | ||
| Hot Toddy | The Gene Harris Quartet | G Minor | 1 | 6A | 187 BPM | ||
| Spanish Bay | Bill Edmonds Trio | G Major | 2 | 9B | 90 BPM | ||
| Teach Me Tonight - Instrumental | Red Garland Trio | C Minor | 1 | 5A | 90 BPM | ||
| Weightless Measures | Sonorous Sky Entertainment | F Major | 6 | 7B | 98 BPM | ||
| Self-Quarantine | Don Grusin | D♭ Major | 1 | 3B | 91 BPM | ||
| And so I Love You | Barry Harris Trio | C Minor | 2 | 5A | 78 BPM | ||
| Tennessee Waltz | Steve Kuhn, Harvie Swartz | C Major | 1 | 8B | 106 BPM | ||
| The Summer Wind | The Monty Alexander Trio | D♭ Major | 3 | 3B | 129 BPM | ||
| Rainy Mornin' Blues | Junior Mance | E♭ Major | 1 | 5B | 76 BPM | ||
| Girl Talk | Marc Hemmeler, Ray Brown | C Major | 1 | 8B | 80 BPM | ||
| Somebody Loves Me - 1990 Remaster | Bud Powell Trio | D Minor | 2 | 7A | 77 BPM | ||
| I Don't Care | Junior Mance | D♭ Major | 1 | 3B | 129 BPM | ||
| Conversation 3 | Bruce Hornsby, Marian McPartland | A♭ Major | 3 | 4B | 0 BPM | ||
| I Couldn't Sleep A Wink Last Night | Oscar Peterson | C Major | 1 | 8B | 98 BPM | ||
| These Foolish Things | Jutta Hipp, Zoot Sims | E♭ Major | 2 | 5B | 64 BPM | ||
| In A Sentimental Mood | Tommy Flanagan Trio | D Minor | 1 | 7A | 79 BPM | ||
| Colour Holds Sound | Rowan Blackstone | F Major | 6 | 7B | 98 BPM | ||
| Everything I Love | Kenny Drew | A♭ Major | 1 | 4B | 114 BPM | ||
| All The Things You Are | Hampton Hawes Trio | F Minor | 2 | 4A | 88 BPM | ||
| Time After Time | Ray Brown Trio | C Major | 2 | 8B | 107 BPM | ||
| Lover Man | Steve Kuhn | F Major | 0 | 7B | 65 BPM |