Rajendra Vaishampayan's ' "Purvardh Prakaran - 12" was released on its scheduled release date, April 1, 2015. This song appears to be safe for all ages as it is not explicit. The track order of this song in Rajendra Vaishampayan's "Mazi Janmathep" album is number 13 out of 32. On top of that, India appears to be the country where this track was created. Purvardh Prakaran - 12 is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Purvardh Prakaran - 12 by Rajendra Vaishampayan to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nrusimha Mruthyumjayam Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | B♭ Minor | 3 | 3A | 113 BPM | ||
| Sri Matangi Stotra | Prof. Thiagarajan, Scholars | F Major | 4 | 7B | 121 BPM | ||
| Pratah Smaran | Rajendra Vaishampayan | A♭ Major | 3 | 4B | 101 BPM | ||
| Adhyayam, Pt. 7 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 127 BPM | ||
| Sankatnashan Ganesh Stotra | Riddhi Agarwal | C Major | 3 | 8B | 103 BPM | ||
| Ganesa Astotram | Veeramanidasan | F Major | 3 | 7B | 98 BPM | ||
| Ganapati Stotraa | Rajendra Vaishampayan & Natasha Dias | A♭ Major | 3 | 4B | 170 BPM | ||
| Sri Varahi Nigrahastakam | Bhandhavi | B♭ Minor | 7 | 3A | 112 BPM | ||
| Keshihaa | Suresam | A♭ Major | 1 | 4B | 139 BPM | ||
| Sri Yantrodhara Hanumata Stotra | Puttur Narasimha Nayak, Harsha Rao, Sri Mukund | C Major | 6 | 8B | 72 BPM | ||
| Boro Sukher Kabor Gai | Kirtan Lounge, Agnideva Das, Bada Haridas | G Minor | 4 | 6A | 85 BPM | ||
| Gho Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | A Major | 4 | 11B | 184 BPM | ||
| Adhay 03 Shlok 36 To Shlok 43 | Rajendra Vaishampayan | D♭ Major | 3 | 3B | 74 BPM | ||
| Shripad Vallabh Digambara - FAST - Datta Stuti | Mandar Apte, Datta Thite | B♭ Major | 7 | 6B | 91 BPM | ||
| Srivari Padalu | Amma | B♭ Minor | 5 | 3A | 131 BPM | ||
| Khandoba Aarti - Panchanan Hayvahan | Ketan Patwardhan | C Major | 4 | 8B | 95 BPM | ||
| Sri Durga Aapadhuthdhaarastakam - genre: Amman | Bombay Sisters | F♯ Major | 4 | 2B | 94 BPM | ||
| Varun Pooja | Rajendra Vaishampayan | A♭ Major | 3 | 4B | 101 BPM | ||
| Budhama M | Rinkoo Giri | E♭ Major | 2 | 5B | 122 BPM | ||
| Shuunyam | Grihsam | E♭ Minor | 1 | 2A | 124 BPM | ||
| Nivadak Bodh Vachan | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 78 BPM | ||
| Deham | Grihsam | E♭ Minor | 1 | 2A | 80 BPM | ||
| Santana Prapaitti Vigneshwara Stotram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 4 | 7B | 147 BPM | ||
| Ashtalakshmi Stotra | Jaishree Aravind, K.S. Surekha | C Major | 2 | 8B | 126 BPM | ||
| Durga Sukhtam | Sri Hari Atchuta Rama Sastry | C Major | 2 | 8B | 134 BPM |