"Nothing Is Too Wonderful to Be True" by Dirty Rotten Scoundrels Original Broadway Cast had its release date on May 11, 2005. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 23 in Dirty Rotten Scoundrels (Original Broadway Cast Recording) by David Yazbek. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Nothing Is Too Wonderful to Be True's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nothing Is Too Wonderful to Be True by Dirty Rotten Scoundrels Original Broadway Cast is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's a Woman's World | Annie Golden, Laura Marie Duncan, Jannie Jones, Liz McConahay | F Major | 7 | 7B | 142 BPM | ||
| Pulled | Krysta Rodriguez, Adam Riegler | C Major | 5 | 8B | 125 BPM | ||
| Pretty Funny | Lindsay Mendez | G Major | 3 | 9B | 70 BPM | ||
| Nice Work If You Can Get It | Kirby Ward, The "Crazy for You" Female Ensemble | G Major | 1 | 9B | 121 BPM | ||
| Purpose | John Tartaglia, Avenue Q Ensemble | G Major | 5 | 9B | 137 BPM | ||
| It's a Privilege to Pee | Nancy Opel, Urinetown Ensemble | C Minor | 3 | 5A | 131 BPM | ||
| What a Party | Brian D'Arcy James, Alix Korey, Raymond Jaramillo McLeod, Charles Dillon, Kevin Cahoon, Kena Tangi Dorsey, The Wild Party Ensemble | F Minor | 5 | 4A | 118 BPM | ||
| It Will Be Chloe | A.J. Holmes | E Major | 4 | 12B | 169 BPM | ||
| Hello, Little Girl | Gavin Creel, Julia Lester | C Major | 3 | 8B | 137 BPM | ||
| The Witch | Norbert Leo Butz, Ciara Renée, Big Fish Original Broadway Cast | G Major | 4 | 9B | 56 BPM | ||
| Father Time | Alli Mauzey, Kimberly Akimbo Original Broadway Cast, Jeanine Tesori, David Lindsay-Abaire | G Major | 2 | 9B | 171 BPM | ||
| Shiksa Goddess | Norbert Leo Butz | D Major | 6 | 10B | 81 BPM | ||
| I Hate Men | Broadway Cast Recording | B Major | 2 | 1B | 74 BPM | ||
| With You | Matthew James Thomas | B Major | 3 | 1B | 140 BPM | ||
| Drift Away | Scott Frankel, Michael Korie, Bob Stillman, Christine Ebersole | G Minor | 1 | 6A | 76 BPM | ||
| Home | Glory Crampton, Richard White | G Major | 2 | 9B | 112 BPM | ||
| At the Fountain | Brian D'Arcy James | G Major | 4 | 9B | 110 BPM | ||
| Edges of the World | Jeanine Tesori, Lisa Kron, Michael Cerveris | D♭ Major | 3 | 3B | 169 BPM | ||
| Nowadays | Gwen Verdon | C Major | 1 | 8B | 99 BPM | ||
| Cute Boys with Short Haircuts | Anneliese Van Der Pol | E Major | 2 | 12B | 128 BPM | ||
| I Believe In You | Daniel Radcliffe, The Executives | C Major | 2 | 8B | 91 BPM | ||
| Rose's Turn | Rose | F Minor | 5 | 4A | 121 BPM | ||
| Feelings You've Got to Hide | Emily Padgett, Erin Davie | B Major | 2 | 1B | 93 BPM | ||
| He Called Me | Jimmy Roberts, Joe DiPietro | A♭ Major | 3 | 4B | 85 BPM | ||
| Take Me as I Am | Jekyll, Emma | B Major | 2 | 1B | 179 BPM |