The Brown Boyz's ' "Let It Be Real" was released on its scheduled release date, January 1, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Brown Boyz's "Jump for Joy" album is number 10 out of 12. The popularity of Let It Be Real is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Let It Be Real by The Brown Boyz to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Testimony | Rodnie Bryant & CCMC | F♯ Minor | 6 | 11A | 84 BPM | ||
| Keep On Blessing Me | D. Morton and Gifted | C Major | 8 | 8B | 100 BPM | ||
| Constantly | Rev. Clay Evans, African American Religious Connection Mass Choir | E♭ Major | 5 | 5B | 142 BPM | ||
| Master, Can You Use Me | Rev. Timothy Wright | A♭ Major | 3 | 4B | 98 BPM | ||
| Back to the Drawing Board | Brent Jones | C Minor | 4 | 5A | 116 BPM | ||
| It's All About The Love | Lamar Campbell | F♯ Major | 9 | 2B | 93 BPM | ||
| Press On | Mario D. Smith | D Major | 8 | 10B | 80 BPM | ||
| Nobody But Jesus | Vanessa Bell Armstrong | D♭ Major | 3 | 3B | 123 BPM | ||
| It's Gonna Be Alright - Remix | Titus Showers, Jermaine Dolly | F♯ Major | 8 | 2B | 154 BPM | ||
| Call Jesus | Bruce Parham | B♭ Major | 6 | 6B | 151 BPM | ||
| Lord I Love You - Live | D. Morton and Gifted | F♯ Major | 4 | 2B | 157 BPM | ||
| Im Gonna Make It | Keith Wonderboy Johnson | F Major | 6 | 7B | 110 BPM | ||
| Things Will Work Out For Me | Ricky Dillard & New G (New Generation Chorale) | F♯ Major | 6 | 2B | 180 BPM | ||
| Harvest | The Brown Boyz | F Minor | 7 | 4A | 80 BPM | ||
| It Was You | Keith Wonderboy Johnson | D♭ Major | 8 | 3B | 108 BPM | ||
| So Good to Me | Brent Jones | D♭ Major | 9 | 3B | 79 BPM | ||
| Better Days | The Brown Boyz, 4Love | F♯ Minor | 8 | 11A | 106 BPM | ||
| A Change (feat. Sheneka Hill) | Troy Sneed, Sheneka Hill | C Minor | 7 | 5A | 80 BPM | ||
| I Made It | Keith Wonderboy Johnson, the Spiritual Voices | G Major | 9 | 9B | 114 BPM | ||
| I'll Praise | The Straight Gate Mass Choir | A♭ Major | 10 | 4B | 113 BPM | ||
| Still Holding On | Christina Bell | A Major | 6 | 11B | 116 BPM | ||
| Magnify Him | Myrna Summers & Rev. Timothy Wright | D♭ Major | 9 | 3B | 161 BPM | ||
| What's to Come is better Than What's Been | Bishop Larry Trotter, Sweet Holy Spirit | F Major | 4 | 7B | 90 BPM | ||
| He Did It | The Brown Boyz | F♯ Minor | 8 | 11A | 106 BPM | ||
| Take Your Burdens to the Lord | Tim Woodson & the Heirs of Harmony | A Major | 8 | 11B | 77 BPM |