"Pity D***" by Tyler Bates had its release date on May 11, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 22 in Deadpool 2 (Original Motion Picture Score) by Tyler Bates. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Pity D*** is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pity D*** by Tyler Bates is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Veil of Shadows | Secession Studios, Greg Dombrowski | E Minor | 2 | 9A | 83 BPM | ||
| Twilight of the Gods | Mark Mothersbaugh | F♯ Major | 1 | 2B | 143 BPM | ||
| Captain America | Henry Jackman | F Minor | 3 | 4A | 153 BPM | ||
| Run Londinium | Daniel Pemberton | D Major | 9 | 10B | 135 BPM | ||
| John Wick Mode | Le Castle Vania | C Major | 9 | 8B | 124 BPM | ||
| A Promise | Alan Silvestri | E Minor | 3 | 9A | 75 BPM | ||
| 14 Peaks – Opening | Nainita Desai | C Major | 3 | 8B | 95 BPM | ||
| Chateau | Rob Dougan | B♭ Minor | 9 | 3A | 129 BPM | ||
| The Freakshow | Nathan Whitehead | D♭ Major | 3 | 3B | 122 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| The Great Mound Battle | Ludwig Göransson | F Minor | 7 | 4A | 112 BPM | ||
| Escape the Base | Tyler Bates | G Minor | 5 | 6A | 88 BPM | ||
| Godspeed, Doctor | Jon Ekstrand | D♭ Major | 2 | 3B | 84 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| Evening the Odds | Nick Arundel | E Minor | 5 | 9A | 102 BPM | ||
| Gobi, 2012 | Natalie Holt | D♭ Major | 4 | 3B | 133 BPM | ||
| A Life in a Day | Nathan Johnson | D Minor | 4 | 7A | 140 BPM | ||
| Triumph | Johan Söderqvist, Patrik Andrén | D Minor | 6 | 7A | 94 BPM | ||
| Fall - From "TRON: Legacy"/Score | Daft Punk | B Minor | 7 | 10A | 180 BPM | ||
| Oppenheimer Trailer Music - Epic Version | Jamie Evans Music | D♭ Major | 3 | 3B | 120 BPM | ||
| The Victor | Chris Benstead | D♭ Major | 3 | 3B | 100 BPM | ||
| The Landing | Justin Hurwitz | G Minor | 3 | 6A | 80 BPM | ||
| Pruned | Natalie Holt | D♭ Minor | 3 | 12A | 141 BPM | ||
| Dangerous Job | Chris Benstead | D♭ Major | 1 | 3B | 151 BPM | ||
| Japanese Retake The Ridge | Rupert Gregson-Williams | A Minor | 7 | 8A | 144 BPM |