"Agnus Dei (Live)" by Jose Ricardo Rodriguez, Ricardo Rodriguez had its release date on April 14, 2023. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Agnus Dei (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in Encuentro De Dos Mundos by Jose Ricardo Rodriguez, Ricardo Rodriguez. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Agnus Dei (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Agnus Dei (Live) by Jose Ricardo Rodriguez, Ricardo Rodriguez is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem, Op. 48: Pie Jésus | Gabriel Fauré, Orchestre de chambre Bernard Thomas, Choeur d'Argenteuil, Michel Piquemal | F♯ Minor | 3 | 11A | 86 BPM | ||
| Op. 12, Memory Eternal | St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 1 | 7A | 87 BPM | ||
| Vespers, Op. 37: Blessed Be the Man | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Minor | 2 | 1A | 129 BPM | ||
| Miserere, Op.44: 5. Domine Deus noster-Meno mosso, lento molto tranquillo. Tender | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 80 BPM | ||
| Five Mystical Songs: 1. Easter | Ralph Vaughan Williams, Michael Leighton Jones, Jonathan Bradley, The Choir of Trinity College, Melbourne, Tinalley String Quartet | E♭ Major | 3 | 5B | 57 BPM | ||
| Hymn of the Cherubim | Bulgarian Radio, Television Mixed Choir | D♭ Major | 1 | 3B | 68 BPM | ||
| Razboinika (The Wise Thief), Op. 40, No. 3 | Pavel Chesnokov, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | B♭ Major | 0 | 6B | 78 BPM | ||
| Vide Cor Meum | Patrick Cassidy, Anthony Hopkins, Danielle de Niese, Bruno Lazzaretti, Libera, The Lyndhurst Orchestra, Gavin Greenaway | A Major | 2 | 11B | 84 BPM | ||
| Eleutheria | Thomas Bergersen | D Minor | 8 | 7A | 98 BPM | ||
| 내 주를 가까이 하게 함은 | 신영옥 | G Major | 2 | 9B | 175 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140 "Sleepers Wake": Zion hört die Wächter singen (Chorale) | Johann Sebastian Bach, Kammerorchester des Saarländischen Rundfunks, Chor Der Musikhochschule Saarbrücken, Karl Ristenpart, Orchestre De La Sarre | G Major | 6 | 9B | 108 BPM | ||
| Song 1 - Arr. for Vocal Ensemble by Timothy Roberts & Patrick Dunachie | Orlando Gibbons, The King's Singers, Jeremy West | A Major | 1 | 11B | 73 BPM | ||
| Ave Verum | David Cerrejón | E♭ Minor | 0 | 2A | 88 BPM | ||
| Les Choristes - Vois Sur Ton Chemin | The City of Prague Philharmonic Orchestra, Lester Fitzpatrick, Finchley Children's Music Group | D Minor | 2 | 7A | 96 BPM | ||
| Mass in D Major, Op. 86 / Kyrie: Ic. Kyrie II | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 1 | 10B | 75 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | ||
| Dextera Domini, FWV 65 | César Franck, Ensemble Vocal de Lausanne, Marie Jaermann, Jonathan Spicher, Michel Corboz, Manuel Rebelo | B♭ Major | 2 | 6B | 91 BPM | ||
| Aaria, Sairasten Parantaja (Myrskyn Keskellä) | Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
| Somna i ro mitt barn | Traditional, Gösta Ohlins Vocal Ensemble, Ryszard Handke | F Major | 0 | 7B | 79 BPM | ||
| Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 6 | 7A | 154 BPM | ||
| Чёрный ворон | Хор Сретенского монастыря | E♭ Minor | 5 | 2A | 80 BPM | ||
| Lord, Have Mercy (Ukraine) | St. Cyril & Methodius Ukrainian Church Choir | D♭ Major | 0 | 3B | 135 BPM | ||
| Latin Chant | Madonna | F Minor | 4 | 4A | 109 BPM | ||
| Abide With Me (Arr. Julian Lee) | William Henry Monk, Julian Lee, Vladimir Kamirski, Melbourne Symphony Orchestra, Yvonne Kenny | A Minor | 2 | 8A | 95 BPM | ||
| The Lord Is My Shepherd (Arr. W. Mack) | Thomas Koschat, BYU Concert Choir | B Major | 1 | 1B | 172 BPM |