Cory Marks's 'Pick Up The Phone' had a release date set for October 3, 2025. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Sorry For Nothing Vol. 2". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Pick Up The Phone's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pick Up The Phone by Cory Marks having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| GET THE TRUCK OUTTA HERE | Drew Taylor | F♯ Major | 9 | 2B | 98 BPM | ||
| What I Like to Hear | Reed Foley | B Major | 8 | 1B | 144 BPM | ||
| What I Deserve | Sam Grow | F Major | 6 | 7B | 132 BPM | ||
| Life Out Here | Todd Cameron, Sam Grow | C Major | 10 | 8B | 132 BPM | ||
| My Time's Comin' | A Thousand Horses | C Major | 8 | 8B | 172 BPM | ||
| Blackwater Curse | Gravel N Bones | D♭ Major | 7 | 3B | 166 BPM | ||
| Bad Day to Be a Beer | Lakeview | C Major | 9 | 8B | 140 BPM | ||
| Longer Than A Little While | The Prairie States | A♭ Major | 9 | 4B | 80 BPM | ||
| The Magician | Eli Young Band | D Major | 8 | 10B | 160 BPM | ||
| The Tracks | Colt Ford | A Minor | 9 | 8A | 127 BPM | ||
| Four Wheel Freedom | Lansdowne | C Major | 9 | 8B | 146 BPM | ||
| Brown Eyed Country Girl | Louie Lee | D♭ Minor | 8 | 12A | 90 BPM | ||
| Priorities | Tunes of the Future | F♯ Major | 6 | 2B | 90 BPM | ||
| Better With You | Ember Outlaw, Lone Colt Union | F♯ Major | 6 | 2B | 166 BPM | ||
| The Broken | Chris Janson | B♭ Major | 8 | 6B | 124 BPM | ||
| Best Looking Bad Decision | Braden Hull | A Major | 7 | 11B | 151 BPM | ||
| She Likes My Kind Of Crazy | Flatland Sugar | C Major | 9 | 8B | 154 BPM | ||
| Don't Let Go | Terry B, Biscuit Beats | F♯ Major | 7 | 2B | 158 BPM | ||
| Cruel | Ryan Kinder | F Major | 6 | 7B | 152 BPM | ||
| FORGET ABOUT IT | Ty March. | D♭ Major | 7 | 3B | 146 BPM | ||
| Shards Of Me | Jace Dutton | C Major | 10 | 8B | 132 BPM | ||
| Facetime | Clay Barker | C Major | 10 | 8B | 132 BPM | ||
| Queen Of Kalifornia | Sikarus | E Major | 9 | 12B | 158 BPM | ||
| Still Worth Saving | Hammer to the Cross | A♭ Major | 5 | 4B | 79 BPM | ||
| See Me in a Suit | Lakeview | F Major | 9 | 7B | 140 BPM |