"hajimari" by Hideyuki Hashimoto had its release date on February 1, 2014. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hideyuki Hashimoto's "home" album is number 2 out of 24. On top of that, Japan appears to be the country where this track was created. hajimari is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of hajimari by Hideyuki Hashimoto to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Met Her at a Bar | Otto Wahl | F Major | 0 | 7B | 80 BPM | ||
| Hope and light | Qunfan Wen | E♭ Major | 0 | 5B | 68 BPM | ||
| Adagio | Piotr Wiese | E♭ Major | 1 | 5B | 83 BPM | ||
| 145 - Revisited | Patrik Berg Almkvisth, LUCHS | G Minor | 1 | 6A | 137 BPM | ||
| Moving on | Tankeflukt | E♭ Major | 0 | 5B | 171 BPM | ||
| March 24th, 2021 | Zmi | B Major | 2 | 1B | 75 BPM | ||
| Beauty | Nascondiglio | D♭ Major | 0 | 3B | 139 BPM | ||
| Lysglimt | Ole-Bjørn Talstad | B♭ Major | 0 | 6B | 181 BPM | ||
| Relief | Ever So Blue | E♭ Major | 1 | 5B | 125 BPM | ||
| haru | Yoko Komatsu, ARAKI Shin | F♯ Major | 0 | 2B | 144 BPM | ||
| A New Beginning | Michael Frankenberger | C Major | 0 | 8B | 69 BPM | ||
| moksa | ildio | E♭ Major | 0 | 5B | 69 BPM | ||
| Passage | Matthew L. Fisher | E♭ Major | 0 | 5B | 68 BPM | ||
| For 4 | Hideyuki Hashimoto | C Major | 0 | 8B | 117 BPM | ||
| Wait And Hope | Samuel Kees | C Major | 0 | 8B | 72 BPM | ||
| Afterlight | Barry Hudson-Taylor | E♭ Major | 0 | 5B | 68 BPM | ||
| Maia | Natia Sartania, sTia | E♭ Major | 0 | 5B | 68 BPM | ||
| Unfold | Elliott Jack Sansom, Jacob David | E♭ Major | 0 | 5B | 68 BPM | ||
| Dusk | Wataru Sato | G Major | 3 | 9B | 90 BPM | ||
| fields of forever - sleep rework | Chad Lawson | D Major | 0 | 10B | 105 BPM | ||
| Nocturne | Francesco Le Metre | F♯ Major | 0 | 2B | 83 BPM | ||
| Maru | Hideyuki Hashimoto | D♭ Major | 0 | 3B | 62 BPM | ||
| Bloom | Holly Jones | C Major | 1 | 8B | 130 BPM | ||
| Up | Jozef De Schutter | C Major | 0 | 8B | 109 BPM | ||
| Carousel | Daigo Hanada | E♭ Major | 0 | 5B | 68 BPM |