"You're OK In Every Way" by Mark McKenzie had its release date on January 15, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Saving Sarah Cain (Music from the Film)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. You're OK In Every Way is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You're OK In Every Way by Mark McKenzie having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Armstrong: Immensities | Craig Armstrong, A.R. Rahman | C Major | 1 | 8B | 82 BPM | ||
| Some Lives From A Perfect Circle | Gabriel Yared | A Minor | 2 | 8A | 73 BPM | ||
| Walkaway | Thomas Newman | F Major | 0 | 7B | 52 BPM | ||
| Seis Meses Después | Ivan Palomares | D Major | 1 | 10B | 90 BPM | ||
| Coming of the Fall | Panu Aaltio | D♭ Major | 1 | 3B | 98 BPM | ||
| Looking At You | Mark Mancina | D Major | 1 | 10B | 83 BPM | ||
| Patience | Patrick Doyle | G Major | 1 | 9B | 79 BPM | ||
| Journey of the King Fish | BBC Concert Orchestra, Sarah Class | B Major | 6 | 1B | 87 BPM | ||
| Coral | Alan Williams | F♯ Minor | 1 | 11A | 81 BPM | ||
| Mountain Majesty | Gary Remal Malkin | G Major | 1 | 9B | 138 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| The Rice Festival | George Fenton | F♯ Major | 1 | 2B | 85 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| The White Whale Chant | Roque Baños | A♭ Major | 2 | 4B | 78 BPM | ||
| Blessed Assurance | Ian Mulder, Royal Philharmonic Orchestra | B Major | 1 | 1B | 90 BPM | ||
| Keep Looking Up | Mark McKenzie | F Major | 0 | 7B | 64 BPM | ||
| After The Fire | Deborah Lurie | A Major | 0 | 11B | 69 BPM | ||
| Light at the End of the Tunnel | Kerry Muzzey | E Minor | 1 | 9A | 62 BPM | ||
| Violin Romance | Patrick Doyle | D♭ Minor | 2 | 12A | 60 BPM | ||
| The First Kiss (Veronica’s Theme) | George Fenton | B♭ Major | 1 | 6B | 89 BPM | ||
| You'll See | Mark McKenzie | A♭ Major | 0 | 4B | 98 BPM | ||
| CANCION DEL ADIOS | Alex Conrado | A Minor | 3 | 8A | 120 BPM | ||
| Are You Hearing This / Charlie's Sweet Inner Nature | Rolfe Kent | C Major | 0 | 8B | 79 BPM | ||
| Distant Light. Theme | GatiS | E♭ Major | 1 | 5B | 178 BPM | ||
| From the Outside | Fiona Joy Hawkins | G Major | 2 | 9B | 112 BPM |