John Swanson's ' "Good To Go - Instrumental Mix" was released on its scheduled release date, January 15, 2020. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Luxurious Jazz - Music For Hotel Lobbies And Receptions" album is number 11 out of 23. Based on our statistics, Good To Go - Instrumental Mix's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Good To Go - Instrumental Mix by John Swanson to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Turning Corner | City Jazzscape | F Major | 3 | 7B | 96 BPM | ||
| Seeing Beyond | Maceo Valiente | B Minor | 5 | 10A | 128 BPM | ||
| Little Sister | Bob Costley, John Swanson | C Major | 4 | 8B | 182 BPM | ||
| Table Reflections | Midtown Noir | C Major | 3 | 8B | 96 BPM | ||
| Requiem Echoes | TillSeventyK | F Minor | 3 | 4A | 128 BPM | ||
| All Of The Sun | Soulmate Jazz Trio | F Major | 2 | 7B | 130 BPM | ||
| Feelin' Hit | John Swanson | A♭ Major | 3 | 4B | 102 BPM | ||
| White Snow | Timeless Tone | C Major | 3 | 8B | 173 BPM | ||
| Porcelain Tapestry | Rose Tempo | E Minor | 3 | 9A | 80 BPM | ||
| Turntable Sketches | JazzInk | F Minor | 5 | 4A | 77 BPM | ||
| Last Call at The Velvet Room | The Midnight Groove | G Major | 2 | 9B | 93 BPM | ||
| Confetti in the Moonlight | Nianyii | C Major | 4 | 8B | 133 BPM | ||
| I Guess There Are Worse Places To Be | John Swanson | F Major | 5 | 7B | 77 BPM | ||
| Snowy Window, Warm Piano | LofigirlAlps | E♭ Major | 4 | 5B | 82 BPM | ||
| Flicker Fade | RoofNote | C Major | 5 | 8B | 122 BPM | ||
| Curtains and Brushes, Pt. III | Lazy Morning Jazz | E Minor | 2 | 9A | 124 BPM | ||
| Bruma dorada | Ryzon Sound | C Major | 3 | 8B | 96 BPM | ||
| Moonlight Serenade for a Saxophone's Heart | Virtual Sax | C Major | 3 | 8B | 96 BPM | ||
| Always Next | Skip Peck | C Minor | 2 | 5A | 120 BPM | ||
| Nico Nuvò | Le Club Pastello | C Minor | 5 | 5A | 118 BPM | ||
| Swinging Sax Circle | Work & Jazz | C Major | 1 | 8B | 92 BPM | ||
| Smoke After Sunset | Blue Quartet | C Major | 3 | 8B | 96 BPM | ||
| Don't You Forget About Me | Massimo Faraò Trio, Nicola Barbon, Marco Tolotti | G Major | 3 | 9B | 135 BPM | ||
| Invisible Tide | AethericArtisan | C Major | 3 | 8B | 135 BPM | ||
| Late Lounge Flow | Velvet Meridian | G Major | 5 | 9B | 126 BPM |