"Traditional: Raga Puriya Kalyan" by Traditional, Ravi Shankar had its release date on January 1, 1966. This song appears to be safe for all ages as it is not explicit. This song is part of West Meets East by Ravi Shankar, Yehudi Menuhin. The song's track number on the album is #2 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Traditional: Raga Puriya Kalyan's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Traditional: Raga Puriya Kalyan by Traditional, Ravi Shankar has a tempo of 146 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Traditional: Raga Puriya Kalyan being at 146 BPM, the half-time would be 73 BPM with a double-time of 292 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raga Mishra Kafi - Vilambit | Bidyut Khan Band, Lucyan | A Major | 7 | 11B | 114 BPM | ||
| I Once Loved a Lass / Jig | Traditional, Garth Knox, Agnès Vesterman | G Major | 3 | 9B | 59 BPM | ||
| Assoul | Tinariwen | C Major | 8 | 8B | 125 BPM | ||
| La Danse Du Bonheur (with John McLaughlin) | Shakti, John McLaughlin | D Major | 9 | 10B | 156 BPM | ||
| Kriti: "śri Mahāgaṇapati" / Colkaṭṭu Svara | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 6 | 4B | 152 BPM | ||
| Pilu Ragmala in Rupak | Alam Khan, Indranil Mallick | G Minor | 3 | 6A | 92 BPM | ||
| Earl in Shanghai | Béla Fleck, Jie-Bing Chen, Vishwa Mohan Bhatt | G Major | 2 | 9B | 95 BPM | ||
| Pahadi Dhun - Alap | Shivkumar Sharma | F Minor | 2 | 4A | 58 BPM | ||
| Cadence | Bela Fleck, Zakir Hussein & Edgar Meyer, Detroit Symphony Orchestra | B Minor | 4 | 10A | 95 BPM | ||
| Darbari Kanada | Buddhadev DasGupta | F Minor | 2 | 4A | 108 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Raaga Charukeshi Composition in Madhya Laya Teentaal | Imran Khan | D Major | 4 | 10B | 124 BPM | ||
| Natural Form of Emptiness | Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith | F Major | 2 | 7B | 126 BPM | ||
| Chant For Gya Ling And Dung Chen | Dip Tse Chong Ling Monastery | E Major | 3 | 12B | 106 BPM | ||
| Raga Maund: Tala - Deepchandi | Debu Chaudhuri, Ustad Shafat Ahmed Khan, Andras Kozma, Prateek Chaudhuri, Manjushree Chaudhuri | D♭ Major | 1 | 3B | 86 BPM | ||
| Camino de los Espiritus | Grupo Apukunas del Trueno | E Minor | 4 | 9A | 136 BPM | ||
| Kaouding Cissoko | Toumani Diabaté | E Major | 4 | 12B | 121 BPM | ||
| Adana | Buddhadev DasGupta | F Major | 4 | 7B | 115 BPM | ||
| Durga | Shruti Sadolikar | D♭ Major | 4 | 3B | 173 BPM | ||
| Singing Bowls and Cymbals | Buddhist Monks of Maitri Vihar Monastery | D Major | 1 | 10B | 101 BPM | ||
| Janani Ninnuvina | M.S. Gopalakrishnan | F♯ Minor | 4 | 11A | 160 BPM | ||
| Tenemos | fdgdf | B Major | 10 | 1B | 140 BPM | ||
| The Sinking of the Titanic: 6. Hymn IV | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 60 BPM | ||
| Raga Rageshree (Keyboard) | Abhijit Pohankar | A Major | 7 | 11B | 91 BPM | ||
| Barren Heart | Orithia | E Minor | 1 | 9A | 111 BPM |