On 1982, the song "Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille" was released by George Frideric Handel, Andrei Gavrilov. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Andrei Gavrilov/Sviatoslav Richter's "Handel: Keyboard Suites Vol. I" album is number 14 out of 38. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille by George Frideric Handel, Andrei Gavrilov to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 111 BPM | ||
| III. March. Song of the Lark | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 135 BPM | ||
| Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
| Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
| Nocturne No. 21 in C Minor, KK IVb/8 | Frédéric Chopin, Claudio Arrau | C Minor | 0 | 5A | 68 BPM | ||
| The Well-Tempered Clavier, Book I: Prelude No. 2 in C Minor, BWV 847 | Johann Sebastian Bach, Sviatoslav Richter | C Major | 3 | 8B | 113 BPM | ||
| I. Moderato quasi marcia | Antonín Dvořák, Peter Breiner | D Minor | 1 | 7A | 98 BPM | ||
| Orphée et Eurydice, Wq. 30: Dance of the Blessed Spirits (Arr. W. Kempff for Piano) | Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 89 BPM | ||
| 8 Etudes, Op. 42: No. 5 in C-Sharp Minor. Affannato | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
| Handel: Concerto a due cori No. 1 in B-Flat Major, HWV 332: I. Overture - Allegro ma non troppo | George Frideric Handel, Leslie Pearson, Menuhin Festival Orchestra, Yehudi Menuhin | F Major | 1 | 7B | 135 BPM | ||
| Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
| Theme & Variations in F Major | Louise Farrenc, Maria Stratigou | E♭ Major | 3 | 5B | 85 BPM | ||
| Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
| Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | G Minor | 1 | 6A | 97 BPM | ||
| Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
| Pavana-Capricho, Op. 12 | Isaac Albéniz, Alicia de Larrocha | E Major | 1 | 12B | 77 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
| Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest": I. Largo – Allegro - Recorded 1982 | Ludwig van Beethoven, Daniel Barenboim | D Minor | 1 | 7A | 113 BPM | ||
| Sonata in D Minor, K141 | Domenico Scarlatti, Joyce Yang | D Minor | 1 | 7A | 140 BPM | ||
| Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 179 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico Budapest, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | ||
| Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": III. Rondo: Allegro | Ludwig van Beethoven, Jenő Jandó | C Minor | 1 | 5A | 100 BPM |