Ray, Goodman & Brown's ' "Why Must I Wait" was released on its scheduled release date, January 1, 1986. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Take It To The Limit". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Why Must I Wait's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Why Must I Wait by Ray, Goodman & Brown having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leaving Me | The Independents | D♭ Major | 4 | 3B | 74 BPM | ||
| Perfect Combination | Stacy Lattisaw, Johnny Gill | C Major | 5 | 8B | 134 BPM | ||
| Me And Mrs. Jones | The Dramatics | E♭ Major | 5 | 5B | 174 BPM | ||
| Crazy Bout'cha | The Deele | D♭ Major | 4 | 3B | 151 BPM | ||
| Could It Be I'm Falling in Love | The Spinners | A Minor | 7 | 8A | 207 BPM | ||
| When We Get Married | Larry Graham | G Major | 4 | 9B | 153 BPM | ||
| You Make It Happen - Remastered Version | Leroy Hutson | B♭ Major | 5 | 6B | 164 BPM | ||
| Outside Woman | Bloodstone | A Major | 5 | 11B | 156 BPM | ||
| By Your Side | Con Funk Shun | D Major | 3 | 10B | 83 BPM | ||
| We Go a Long Way Back | Bloodstone | C Major | 3 | 8B | 187 BPM | ||
| You Are Everything | The Stylistics | D Minor | 6 | 7A | 143 BPM | ||
| Our Love | Natalie Cole | B♭ Major | 4 | 6B | 79 BPM | ||
| Pretty Lady | Con Funk Shun | D Major | 5 | 10B | 80 BPM | ||
| I Really Love You | Harold Melvin & The Blue Notes | F♯ Major | 7 | 2B | 84 BPM | ||
| Valentine Love | Michael Henderson | E Minor | 6 | 9A | 97 BPM | ||
| Didn't I Blow Your Mind | The Spinners | A Major | 4 | 11B | 139 BPM | ||
| Bullseye | Lakeside | D Major | 5 | 10B | 131 BPM | ||
| Closer Than Close | Jean Carn | E♭ Major | 3 | 5B | 176 BPM | ||
| Babies Having Babies | Terry Tate | C Minor | 5 | 5A | 147 BPM | ||
| Love Is A House | Force M.D.'s | A♭ Major | 4 | 4B | 92 BPM | ||
| Shoe Shoe Shine | The Dynamic Superiors | G Major | 4 | 9B | 120 BPM | ||
| Baby, Be Mine | Miki Howard | G Major | 4 | 9B | 82 BPM | ||
| A Love of Your Own | Average White Band | G Major | 5 | 9B | 135 BPM | ||
| Taxi | J. Blackfoot | A Minor | 5 | 8A | 68 BPM | ||
| Congratulations | Vesta Williams | G Major | 2 | 9B | 79 BPM |