"Prole do bebê 1, W140: VI. A Pobrezinha" by Heitor Villa-Lobos, Lívia Rév had its release date on May 1, 1987. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 33 in For Children: Piano Music for the Young to Play and Enjoy by Lívia Rév, Johann Sebastian Bach, Louis-Claude Daquin, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Robert Schumann, Frédéric Chopin, Franz Liszt, Georges Bizet, Gabriel Fauré, Pyotr Ilyich Tchaikovsky, Heitor Villa-Lobos, André Jolivet, Sergei Prokofiev, Claude Debussy, Béla Bartók, Milosz Magin, Janez Matičič. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Prole do bebê 1, W140: VI. A Pobrezinha is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prole do bebê 1, W140: VI. A Pobrezinha by Heitor Villa-Lobos, Lívia Rév is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Park Kyuhee | E Minor | 0 | 9A | 136 BPM | ||
| Danza Brasileira | Jorge Morel, Jason Vieaux | E Minor | 1 | 9A | 106 BPM | ||
| Scherzo - Vals | Miguel Llobet Solés, Lorenzo Micheli | D Major | 1 | 10B | 63 BPM | ||
| Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | ||
| Valse-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 90 BPM | ||
| 3 Pieces latino americaines (3 Latin American Pieces), No. 1. Danza del altiplano: No. 2, Triste argentino | Leo Brouwer, Flavio Cucchi | E Minor | 0 | 9A | 88 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: IV. Gavotte et Musette | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 74 BPM | ||
| Eterna saudade | Dilermando Reis, Salvatore Fortunato | D Minor | 1 | 7A | 86 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Suite del Ángel: Milonga del ángel | Astor Piazzolla, Jian Wang, Göran Söllscher | B Minor | 0 | 10A | 91 BPM | ||
| Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: Song without Words, Op. 30, No. 6, Venetian Boat Song II | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 67 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
| Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
| Prelude No.1 - Melodía lírica | Heitor Villa-Lobos, Pablo Sainz Villegas | E Minor | 3 | 9A | 127 BPM | ||
| Suite populaire Brésilienne, W020: III. Valsa-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 1 | 9A | 101 BPM | ||
| Castillos de España II: No. 5, Alba de Tormes | Federico Moreno Torroba, Ana Vidović | D Major | 0 | 10B | 141 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
| Reis: Xodó da baiana | Dilermando Reis, Thibaut García | D Minor | 0 | 7A | 95 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 4 in E Major (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 87 BPM | ||
| Malagueña | Celedonio Romero, Pepe Romero | C Major | 1 | 8B | 96 BPM | ||
| Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM | ||
| Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 78 BPM |