Marcia Griffiths's ' "The First Cut Is the Deepest" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. The First Cut Is the Deepest's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Play Me Sweet and Nice". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. The popularity of The First Cut Is the Deepest is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The First Cut Is the Deepest by Marcia Griffiths having a BPM of 206 with a half-time of 103 BPM and a double-time of 412 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Passion Love | The Melodians | F Major | 4 | 7B | 153 BPM | ||
| Say What You'r Saying | Clancy Eccles | G Major | 6 | 9B | 130 BPM | ||
| Satisfaction | Errol Dunkley | E Minor | 5 | 9A | 79 BPM | ||
| Green Grasshopper | Marcia Griffiths | D Major | 4 | 10B | 74 BPM | ||
| 6 - Sixth Street | Louisa Mark | A Major | 6 | 11B | 84 BPM | ||
| Natty Dread She Want | Big Youth | B♭ Major | 3 | 6B | 73 BPM | ||
| In the Ghetto | Susan Cadogan | B♭ Major | 4 | 6B | 176 BPM | ||
| Take It Easy | Hopeton Lewis | C Major | 2 | 8B | 99 BPM | ||
| Don't Stay Out Late | Lord Creator | E♭ Major | 5 | 5B | 126 BPM | ||
| My Last Date | Hortense Ellis | C Major | 7 | 8B | 127 BPM | ||
| Come Back Darling | Johnny Osbourne | A♭ Major | 5 | 4B | 110 BPM | ||
| Truly | Marcia Griffiths | C Major | 4 | 8B | 133 BPM | ||
| Curley Locks | Junior Byles | F Major | 2 | 7B | 136 BPM | ||
| As Long As You Love Me | The Maytones | A Major | 3 | 11B | 170 BPM | ||
| Everybody Needs Love | Slim Smith | F Minor | 6 | 4A | 153 BPM | ||
| Dreadlocks In Moonlight | Lee "Scratch" Perry | G Major | 4 | 9B | 131 BPM | ||
| Ready Or Not | Johnny Osbourne | G Major | 7 | 9B | 146 BPM | ||
| Turning Point (Where Do I Turn) | Slim Smith | C Minor | 6 | 5A | 72 BPM | ||
| I Can't Hide | Ken Parker, Tommy McCook, The Supersonics | C Major | 5 | 8B | 77 BPM | ||
| Dark End Of The Street | Pat Kelly | C Major | 5 | 8B | 132 BPM | ||
| Everybody Needs Love | Slim Smith | D♭ Major | 3 | 3B | 76 BPM | ||
| Take a Message Maria | Dandy Livingstone | D♭ Major | 5 | 3B | 129 BPM | ||
| Think So | The Meditations | A Major | 7 | 11B | 125 BPM | ||
| Push Me In The Corner | The Eternals, Mudies' All Stars | E Major | 6 | 12B | 112 BPM | ||
| I've Got to Make It | Larry Marshall | D Minor | 7 | 7A | 105 BPM |