- BPM
- 68
- Key
- C Major
- Camelot
- 8B
Idylle, Op. 166 No. 2 by Joachim Raff, Allegra Ciancio Song Details
"Idylle, Op. 166 No. 2" by Joachim Raff, Allegra Ciancio had its release date on November 21, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joachim Raff, Allegra Ciancio's "Joachim Raff: Piano Works" album is number 11 out of 11. On top of that, Italy appears to be the country where this track was created. Idylle, Op. 166 No. 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Idylle, Op. 166 No. 2 by Joachim Raff, Allegra Ciancio to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.908 dB
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 13%
- Instrumentalness
- 91%
- Liveness
- 14%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rêve d'enfant, Op. 14 | Eugène Ysaÿe, Natalia Lomeiko, Iván Martín | F Major | 2 | 7B | 122 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | F Major | 2 | 7B | 122 BPM | |
 | Violin Sonata in E Minor, P. 85: II. Adagio, ma non tanto (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 105 BPM | |
 | Symhonie fantastique Op. 14: Songe d'une nuit de sabbat | Berliner Philharmoniker, Rudolf Kempe | G Minor | 3 | 6A | 110 BPM | |
 | Symphony No. 1 in E Major: I. Alla breve | Hans Rott, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 89 BPM | |
 | Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante, Pt. 2 | Wolfgang Amadeus Mozart, Maria João Pires, Theodor Guschlbauer, Orquestra Gulbenkian | F♯ Minor | 0 | 11A | 84 BPM | |
 | 弦楽セレナード ホ短調 作品20: 第3楽章: Allegretto | Edward Elgar, 石田泰尚, 石田組 | F Major | 3 | 7B | 116 BPM | |
 | Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | |
 | Masques et Bergamasques, suite, Op.112: 3. Gavotte | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 109 BPM | |
 | Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | |
 | Callirhoé, suite de ballet: IV. Pas des cymbales | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 134 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | |
 | Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Minor | 1 | 9A | 108 BPM | |
 | Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | |
 | Piano Concerto No. 4 in G Minor, Op. 40: III. Allegro vivace | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 167 BPM | |
 | Cello Concerto No. 1 in D Major, Op. 193: I. Allegro | Joachim Raff, Daniel Müller-Schott, Bamberg Symphony, Hans Stadlmair | B♭ Major | 0 | 6B | 90 BPM | |
 | Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | |
 | Miške, MKČ 101: VI. Recapitulation, Main Theme a tempo I | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | |
 | Poem in D-Flat Major, Op.39a | Zdeněk Fibich, Oliver Butterworth, John Bingham | D♭ Major | 0 | 3B | 83 BPM | |
 | Symphony No. 1 in D Major, Op. 23: III. Menuetto. Moderato | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | A Major | 0 | 11B | 131 BPM | |
 | Piano Trio No. 2 in C Minor, Op. 66, MWV Q 33: II. Andante espressivo | Felix Mendelssohn, Julia Fischer, Jonathan Gilad, Daniel Müller-Schott | E♭ Major | 0 | 5B | 81 BPM | |
 | Symphony No. 1 in B Flat Major, Op. 38 "Spring": IV. Allegro animato e grazioso | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | B♭ Major | 2 | 6B | 98 BPM | |
 | Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | |
 | Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Major | 2 | 7B | 122 BPM | |
 | Piano Quartet in E flat, Op. 47: 4. Finale (Vivace) | Robert Schumann, Menahem Pressler, Emerson String Quartet | E♭ Major | 1 | 5B | 141 BPM |
- ISRC
- ITLF52417924
- Label
- L-M Records/RCA Records