"A Little Jazz Mass: Agnus Dei (Version for mixed chorus, piano, double bass and drums)" by Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch had its release date on May 7, 2013. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 23 in Chilcott: Everyone Sang - A Little Jazz Mass by Bob Chilcott, Wellensian Consort, Christopher Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, A Little Jazz Mass: Agnus Dei (Version for mixed chorus, piano, double bass and drums)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Little Jazz Mass: Agnus Dei (Version for mixed chorus, piano, double bass and drums) by Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 1 | 6B | 65 BPM | ||
| Psalm 100, "Jauchzet dem Herrn, all Welt" | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | F Major | 1 | 7B | 95 BPM | ||
| All My Trials | The Concordia Choir, René Clausen | D Major | 0 | 10B | 134 BPM | ||
| Nidaros Jazz Mass: Agnus Dei | Bob Chilcott, Commotio, Raphael Mizraki, Jon Scott, Alexander Hawkins | A Minor | 2 | 8A | 90 BPM | ||
| Irish Blessing - SATB | Bob Chilcott, The Oxford Choir | C Major | 0 | 8B | 77 BPM | ||
| My Soul's Been Anchored in the Lord | The Concordia Choir, René Clausen | A Major | 2 | 11B | 137 BPM | ||
| I Will Lift Mine Eyes | Jake Runestad, Seraphic Fire, Patrick Dupre Quigley | C Major | 2 | 8B | 72 BPM | ||
| Fauré: Requiem, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| The Hope of Loving: No. 2, Wild Forces | Jake Runestad, Conspirare, Craig Hella Johnson | G Major | 2 | 9B | 115 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Agnus Dei | Ernesto Herrera, BYU Singers, Andrew Crane | G Major | 7 | 9B | 85 BPM | ||
| Shall I Compare Thee | Nils Lindberg, Swedish Chamber Choir, Simon Phipps | A Minor | 2 | 8A | 147 BPM | ||
| Ballade to the Moon | Phoenix Chamber Choir, Daniel Elder | E Major | 0 | 12B | 130 BPM | ||
| I Dream A World | F.S.U. Chamber Choir | F Major | 1 | 7B | 89 BPM | ||
| Whitacre: Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | ||
| Lamentations of Jeremiah | Salt Lake Vocal Artists | D Minor | 2 | 7A | 138 BPM | ||
| Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
| Come to the Woods | Jake Runestad, John Muir, Iowa State Singers | A Major | 1 | 11B | 77 BPM | ||
| Butterfly | Mia Makaroff, National Youth Choir Of Great Britain, Tom Bullard | B Major | 1 | 1B | 98 BPM | ||
| Tuttarana (Version for Choir) | Reena Esmail, NOTUS, Dominick DiOrio | D Major | 1 | 10B | 85 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | ||
| Beatus vir | Levente Gyöngyösi, Pro Musica, Szabó Dénes | C Major | 1 | 8B | 106 BPM | ||
| There Will Be Rest | Frank Ticheli, Pacific Chorale, John Alexander | A Minor | 0 | 8A | 69 BPM | ||
| Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM |