Alla Rakha's ' "Aayo Baadar Barsane Ko Pani And Taal Suran Ke" was released on its scheduled release date, March 19, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 5 in Alla Rakha The Multifaceted Genius by Alla Rakha. In terms of popularity, Aayo Baadar Barsane Ko Pani And Taal Suran Ke is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aayo Baadar Barsane Ko Pani And Taal Suran Ke by Alla Rakha is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Qaida in Four | Traditional, Zakir Hussain | D♭ Major | 8 | 3B | 141 BPM | ||
| Baro Krishnayya (Instrumental) | Phani Narayana | D♭ Major | 4 | 3B | 107 BPM | ||
| Raga Khammaj | Ulhas Kashalkar | F♯ Major | 5 | 2B | 107 BPM | ||
| Raag Bhupal Todi | Kamalesh Maitra | E♭ Minor | 3 | 2A | 97 BPM | ||
| Cadence | Bela Fleck, Zakir Hussein & Edgar Meyer, Detroit Symphony Orchestra | B Minor | 4 | 10A | 95 BPM | ||
| Joy of Jaipur | Subhankar Banerjee | D Major | 7 | 10B | 94 BPM | ||
| Kashmiri Dhun in Dadra Tal | Ronu Majumdar, Abhijit Banerjee | E Major | 1 | 12B | 137 BPM | ||
| Echoes of Jummapur: Theme from Tom Stoppard's Indian Ink | Kuljit Bhamra | B Minor | 3 | 10A | 140 BPM | ||
| Nayan Ki Mat Maro Talwariya - Raga Bhairavi - Dadra Tala | Girija Devi | B♭ Major | 4 | 6B | 79 BPM | ||
| Rag Bhupali - Alap & Gat in Rupak Tal | Ronu Majumdar, Abhijit Banerjee | E Major | 2 | 12B | 134 BPM | ||
| Tabla Solo | Various Artists, Alla Rakha | D♭ Major | 6 | 3B | 185 BPM | ||
| Raga Madhuvanti: Alap, Jor (Live) | Srdjan Beronja | D Major | 7 | 10B | 110 BPM | ||
| Raga Mishra Kafi - Vilambit | Bidyut Khan Band, Lucyan | A Major | 7 | 11B | 114 BPM | ||
| Teental (Part 1) - Punjabi Peshkaar (With Short Spoken Intro) | Alla Rakha, Zakir Hussain | F Minor | 7 | 4A | 84 BPM | ||
| Taal - Teentaal | Alla Rakha, Zakir Hussain | F♯ Major | 9 | 2B | 86 BPM | ||
| Abhogi | Hariprasad Chaurasia | E Major | 2 | 12B | 96 BPM | ||
| Raga Jogeshwari: Jor | Ravi Shankar, Traditional, Alla Rakha, Ms. Jiban, Ms. Widya | F♯ Major | 1 | 2B | 81 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Jo Maangna Hai Maangg Le Allah Se Ameen, Pt. 1 | Alla Rakha, Attie, Munir Hussain, Mohammad Roshan Ali, S.M. Batish, Zohri | B♭ Major | 4 | 6B | 87 BPM | ||
| Journey to Sedna | Baluji Shrivastav | B♭ Minor | 2 | 3A | 121 BPM | ||
| Quadrospect | Traditional, Zakir Hussain | A♭ Major | 9 | 4B | 140 BPM | ||
| Bahar | Buddhadev DasGupta | F Major | 5 | 7B | 133 BPM | ||
| Let Me Down - Instrumental | Box of Music | D♭ Minor | 4 | 12A | 150 BPM | ||
| Raga Mand Bhairav | Vilayat Khan | D♭ Major | 4 | 3B | 85 BPM | ||
| Piku Theme | Satyaanz | C Major | 0 | 8B | 130 BPM |