Kelly Cork's 'Dead End Street' had a release date set for January 8, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Dead End Street by Kelly Cork. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Dead End Street's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dead End Street by Kelly Cork is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Worn & Weathered | Cassia Li | F Minor | 4 | 4A | 170 BPM | ||
| I Got Nothing | Kelly Cork | E Major | 5 | 12B | 114 BPM | ||
| I Could've Been Your Man | Fallow Fields | D Major | 4 | 10B | 130 BPM | ||
| Send Ammunition | Charlie Shafter | A♭ Major | 4 | 4B | 138 BPM | ||
| Chicago in Fall | Charlie Shafter | A♭ Major | 4 | 4B | 138 BPM | ||
| Red - DBPC | Jayce Turley | A♭ Major | 4 | 4B | 138 BPM | ||
| Tribute To My Past | Joseph Stevens | A Major | 5 | 11B | 140 BPM | ||
| Doubt (The Nashville Sessions) | The Skupien Brothers | A♭ Major | 4 | 4B | 138 BPM | ||
| Some Kind of Reckoning | Reed Foehl | B Major | 4 | 1B | 88 BPM | ||
| What's Intended | Nathan Evans Fox | E Major | 4 | 12B | 114 BPM | ||
| Dime a Dozen - Live | Sean Miller | F♯ Major | 2 | 2B | 88 BPM | ||
| Lessons in the Dark | JONNY RACKS | A♭ Major | 4 | 4B | 138 BPM | ||
| Try A Little Kindness | Darrell Scott | D Major | 3 | 10B | 139 BPM | ||
| Love Set Us Free | Little Georgia | D Major | 6 | 10B | 87 BPM | ||
| Cold Coffee | Reid Genauer, Assembly of Dust | A♭ Major | 4 | 4B | 138 BPM | ||
| Casualties of War | David Quinn | G Major | 1 | 9B | 158 BPM | ||
| Going Home | Pappaw Slapleather | G Major | 8 | 9B | 81 BPM | ||
| Here Ain't My Home | Desert Hollow | A♭ Major | 4 | 4B | 138 BPM | ||
| Down The Road | Kelly Cork | E Major | 5 | 12B | 114 BPM | ||
| I Still Cry About John Prine | Bryant Tench | D Major | 4 | 10B | 79 BPM | ||
| Planted | Tyler Bryant | E♭ Major | 4 | 5B | 140 BPM | ||
| Each Day | Martyn Joseph | A♭ Major | 4 | 4B | 138 BPM | ||
| Thou heardest me - fm Version | Stephen Youmoore | A Minor | 4 | 8A | 137 BPM | ||
| You're Allowed | Bryan Jack | A♭ Major | 4 | 4B | 138 BPM | ||
| Beautiful Accidents | Owen Temple | D♭ Minor | 5 | 12A | 116 BPM |