"Black's Theme" by Nicholas Britell had its release date on October 21, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Nicholas Britell's "Moonlight (Original Motion Picture Soundtrack)" album is number 18 out of 21. On top of that, United States appears to be the country where this track was created. Black's Theme is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Black's Theme by Nicholas Britell to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little's Theme | Nicholas Britell | G Major | 0 | 9B | 66 BPM | ||
| Then We Are Together | Johan Söderqvist | A♭ Major | 2 | 4B | 171 BPM | ||
| Dmi We Meet Again? | Jon Brion | D Minor | 0 | 7A | 76 BPM | ||
| Adams: Hallelujah Junction: 1st Movement | John Adams, Nicolas Hodges, Rolf Hind | A♭ Major | 1 | 4B | 116 BPM | ||
| What's Stopping Us | Kris Bowers | B Major | 1 | 1B | 71 BPM | ||
| A Different Ending | Anne Dudley | A Minor | 2 | 8A | 78 BPM | ||
| Chiron's Theme Chopped & Screwed (Knock Down Stay Down) | Nicholas Britell | E Major | 0 | 12B | 110 BPM | ||
| Viventes Enim | Daniel Hart | G Minor | 2 | 6A | 80 BPM | ||
| Water Theme No. 1 | Hanan Townshend | G Major | 2 | 9B | 69 BPM | ||
| Kids Bonfire (From "A Quiet Place" Soundtrack) | Marco Beltrami | D Minor | 2 | 7A | 79 BPM | ||
| Mama's Room | Nick Cave, Warren Ellis | D Minor | 1 | 7A | 113 BPM | ||
| Welcome To Victorville | Trent Reznor and Atticus Ross | B♭ Minor | 2 | 3A | 64 BPM | ||
| Resolution / The Girl On The Train - Main Titles | Danny Elfman | D Minor | 1 | 7A | 134 BPM | ||
| Reyja | Ben Frost, Daníel Bjarnason | D♭ Minor | 1 | 12A | 86 BPM | ||
| Intuition | Dan Levy | F Minor | 3 | 4A | 91 BPM | ||
| The Lake | Keaton Henson | F♯ Major | 1 | 2B | 83 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| Quintessence | Theodore Shapiro, José González, Mark Graham | E Major | 1 | 12B | 174 BPM | ||
| The Dark Room | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 75 BPM | ||
| Attestupan | Bobby Krlic | E Major | 1 | 12B | 140 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| The Tree from Mount Fuji | 조영욱과 THE SOUNDTRACKINGS | B Minor | 3 | 10A | 172 BPM | ||
| Leo Needs A New Pair Of Shoes | Ben Frost | D Minor | 1 | 7A | 75 BPM | ||
| For Those That Follow | Ben Salisbury, Geoff Barrow | A♭ Major | 1 | 4B | 167 BPM | ||
| Mary and Edward | Rupert Gregson-Williams | F Major | 0 | 7B | 136 BPM |