Hunter & Jordan, Carly Rogers's ' "Shoulda Coulda Woulda" was released on its scheduled release date, December 18, 2020. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Shoulda Coulda Woulda only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Shoulda Coulda Woulda's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Shoulda Coulda Woulda by Hunter & Jordan, Carly Rogers having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leaving Louisiana | Stephen Paul | F♯ Major | 8 | 2B | 142 BPM | ||
| Denim Days, Neon Lights | Todd Cameron | G Major | 9 | 9B | 117 BPM | ||
| Ain't Missing You | John King | A Minor | 6 | 8A | 96 BPM | ||
| Whatcha Know Good | Trea Landon | A♭ Major | 9 | 4B | 116 BPM | ||
| What a Time to Be Alive | Taylor Ray Holbrook | G Major | 8 | 9B | 104 BPM | ||
| Workin' on Me Waitin' on You | Blane Rudd | A♭ Major | 9 | 4B | 132 BPM | ||
| Til It's Yours | Ben Gallaher | F♯ Major | 9 | 2B | 156 BPM | ||
| Little Bit | Drew Baldridge | D♭ Major | 9 | 3B | 150 BPM | ||
| That's The Life | David James | D Major | 9 | 10B | 95 BPM | ||
| Let there be light | The Darin Dixon Band | B♭ Major | 6 | 6B | 156 BPM | ||
| 4WD | Derek Austin | A♭ Major | 9 | 4B | 148 BPM | ||
| Wasn't The Dress | Don Amero | C Major | 9 | 8B | 180 BPM | ||
| Down Like That | After Midtown | E Minor | 7 | 9A | 90 BPM | ||
| Beautiful Girls | Roman Alexander | F♯ Major | 8 | 2B | 114 BPM | ||
| Anybody Else | Cooper Greer | A Major | 8 | 11B | 172 BPM | ||
| What If I | Dylan Burk | D Major | 6 | 10B | 134 BPM | ||
| South Up North | Stephen Paul | A Major | 9 | 11B | 108 BPM | ||
| Changed Everything | Austin Burke | F♯ Major | 8 | 2B | 122 BPM | ||
| Red Dirt Cursed | Rodell Duff | G Major | 8 | 9B | 126 BPM | ||
| If It's Over It's On | Murphy Elmore | D Major | 9 | 10B | 132 BPM | ||
| Dirt Roads For Days | Tyler Chambers | C Major | 8 | 8B | 136 BPM | ||
| Buzz Back | Kelsey Hart | C Major | 7 | 8B | 152 BPM | ||
| Love Ya Son, Go Dawgs | Ray Fulcher | D Major | 8 | 10B | 75 BPM | ||
| Damn BNA | Bryan Frazier | F♯ Minor | 7 | 11A | 77 BPM | ||
| Makes Me Wanna | Justin Fancy | C Major | 8 | 8B | 200 BPM |