Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev Song Details

"Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema" by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev had its release date on September 14, 2018. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Tchaikovsky: Rococo Variations". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Saint Lucia. Based on our statistics, Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Music Key

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 27%
Loudness: -17.697 dB
Acousticness: 99%
Danceability: 22%
Energy: 8%
Instrumentalness: 86%
Liveness: 11%
Loudness: 71%
Speechiness: 3%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	A Minor	5	8A	93 BPM
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio	Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel	D Major	3	10B	131 BPM
Mélodie, Op. 42 No. 3	Pyotr Ilyich Tchaikovsky, Xue- Wei, Philharmonia Orchestra, Salvatore Accardo	E♭ Major	2	5B	55 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace	Wolfgang Amadeus Mozart, Berliner Philharmoniker, Sir Simon Rattle	C Major	1	8B	77 BPM
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: IV. Allegro con brio	Sergei Prokofiev, Gidon Kremer, Martha Argerich	D Major	2	10B	124 BPM
Bottesini: Double Bass Concerto in B Minor: III. Finale. Allegro	Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic	G Major	3	9B	118 BPM
Háry János Suite: I. Prelude. The Fairy Tale Begins	Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain	F Major	1	7B	84 BPM
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato	Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili	C Minor	1	5A	83 BPM
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso	Johannes Brahms, London Symphony Orchestra, Valery Gergiev	A♭ Major	1	4B	133 BPM
Violin Sonata, CFF 123: II. Allegro	César Franck, Itzhak Perlman, Vladimir Ashkenazy	G Minor	2	6A	142 BPM
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio	Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra	F Major	2	7B	72 BPM
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato	Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili	A♭ Major	1	4B	122 BPM
Souvenir de Florence, Op. 70: II. Adagio cantabile	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	D♭ Major	1	3B	82 BPM
German Requiem, Op. 45: Selig sind, die da Leid tragen	Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus	E♭ Major	0	5B	98 BPM
Symphony No. 6 in D Major, Op. 60: III. Scherzo (Furiant). Presto	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	5	9B	119 BPM
Concerto for Viola & Orchestra: I. Andante comodo	William Walton, Yuri Bashmet, André Previn	D Minor	0	7A	87 BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	A Major	1	11B	96 BPM
The Firebird, K10, 1919 Suite: I. Introduction	Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung	G Minor	0	6A	85 BPM
Sonata For Violin And Piano In A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace)	César Franck, Itzhak Perlman, Vladimir Ashkenazy	D Major	1	10B	99 BPM
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto	Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman	F Major	2	7B	83 BPM
L'Arlésienne Suite No. 2, WD 28: 3. Menuet	Georges Bizet, Orchestre de Paris, Semyon Bychkov	E♭ Major	0	5B	78 BPM
Serenade in C Major, Op. 48: II. Walzer	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	G Major	2	9B	180 BPM
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale. Molto vivace	Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev	D Major	1	10B	100 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM