Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron Pilsan Song Details

"Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume" by Robert Schumann, Kian Soltani, Aaron Pilsan had its release date on December 15, 2017. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Schumann: Myrthen, Op.25 - Version For Cello And Piano, 24. Du bist wie eine Blume only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. In terms of popularity, Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron Pilsan having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 44%
Loudness: -31.992 dB
Acousticness: 99%
Danceability: 32%
Energy: 1%
Instrumentalness: 93%
Liveness: 13%
Loudness: 47%
Speechiness: 5%
Valence: 11%

Recommendations

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3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra)	Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck	G Major	0	9B	103 BPM
Crisantemi	Brodsky Quartet	F♯ Minor	0	11A	75 BPM
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II)	Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan	C Major	1	8B	75 BPM
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner)	Luke Faulkner, Alexander Borodin	A Major	1	11B	72 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Minor	0	5A	101 BPM
Nocturne	Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd	D Minor	1	7A	69 BPM
Three Romances for Violin and Piano, Op. 22: I. Andante molto	Clara Schumann, Esther Abrami, Iyad Sughayer	D♭ Major	2	3B	81 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile	Joseph Haydn, Alban Berg Quartett	B♭ Major	1	6B	101 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Dreaming, Op. 15: No. 3	Amy Beach, Eline Marlene	D♭ Major	0	3B	75 BPM
Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings)	Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks	G Minor	0	6A	84 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
Minuet in A major, D. 334	Franz Schubert, Arcadi Volodos	A Major	0	11B	92 BPM
3 Romances, Op. 11: I. Andante	Clara Schumann, Yoshiko Iwai	C Major	0	8B	66 BPM
Come, Sweet Death, BWV 478 (Arr. for 5 Cellos)	Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi	C Major	0	8B	122 BPM
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano)	Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin	F Minor	1	4A	79 BPM
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1	Carl Maria von Weber, Michael Endres	E Major	1	12B	87 BPM
Chaconne in sol maggiore : Variazione 10	Lazar Berman	G Minor	0	6A	71 BPM
Sarabande et rigaudon, Op. 93: Sarabande	Camille Saint-Saëns, Orchestre National de Lille, Jun Markl	C Major	0	8B	71 BPM
24 Preludes, Op. 11: No. 15 in D-Flat Major	Alexander Scriabin, Evgeny Zarafiants	D♭ Major	0	3B	70 BPM
Adoration	Florence Beatrice Price, Randall Goosby, Zhu Wang	D Major	1	10B	75 BPM
Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel)	Gustav Mahler, Gabriele Bagnati, Esther Abrami	F Major	2	7B	82 BPM
Cello Sonata in G Minor, Op. 65: III. Largo	Frédéric Chopin, Camille Thomas, Julien Brocal	D Major	1	10B	72 BPM
Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano)	Yuja Wang	D♭ Minor	1	12A	80 BPM