Kate Stephenson's ' "Growing up in Reverse" was released on its scheduled release date, August 2, 2020. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kate Stephenson's "Growing up in Reverse" album is number 1 out of 12. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Growing up in Reverse's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Growing up in Reverse by Kate Stephenson to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| i just learned to love that way | Philip Brooks | F♯ Major | 2 | 2B | 93 BPM | ||
| ive come to realize | Aubory Bugg | A♭ Major | 2 | 4B | 120 BPM | ||
| Blur | Pleasure Systems | D Major | 3 | 10B | 170 BPM | ||
| forgive | Abby Powledge | G Major | 4 | 9B | 68 BPM | ||
| Asking Price | Kaleah Lee | A Minor | 3 | 8A | 139 BPM | ||
| A Good Thing | Odie Leigh | C Major | 3 | 8B | 77 BPM | ||
| California | Kate Stephenson | A Major | 0 | 11B | 74 BPM | ||
| Idle Sympathy | Bella Porter | A♭ Major | 1 | 4B | 73 BPM | ||
| Trying | Lila Dupont | A♭ Major | 4 | 4B | 152 BPM | ||
| Last Line | Hannah Cole | C Major | 1 | 8B | 141 BPM | ||
| Sedona | Anna Bates | D Major | 2 | 10B | 129 BPM | ||
| You Never Knew Me | Sharon Silva | C Major | 5 | 8B | 140 BPM | ||
| grown | Abby Powledge | F Major | 4 | 7B | 108 BPM | ||
| Habits Held | Odie Leigh | F Minor | 3 | 4A | 138 BPM | ||
| Home Run (pt.2) | The Man The Myth The Meatslab, Abby Powledge | C Major | 3 | 8B | 97 BPM | ||
| Chutes & Ladders | Odie Leigh | D♭ Major | 4 | 3B | 78 BPM | ||
| riverside | lighthearted, CannonandtheBoxes | F♯ Major | 5 | 2B | 151 BPM | ||
| moses kill | Sadurn | D Major | 6 | 10B | 170 BPM | ||
| Remembering | Annika Bennett | A♭ Major | 4 | 4B | 147 BPM | ||
| The Fullest Embrace | Shallow Alcove | D Major | 1 | 10B | 107 BPM | ||
| Fuck Up | Annika Bennett | D♭ Major | 5 | 3B | 121 BPM | ||
| Afterthoughts | Kate Stephenson | C Major | 1 | 8B | 116 BPM | ||
| As Sure As I’m Speaking | Odie Leigh | E♭ Major | 1 | 5B | 172 BPM | ||
| ode to a long-distance friend | lighthearted | D Major | 5 | 10B | 79 BPM | ||
| Walk Me Like Ur Dog | Bridey Costello | D Major | 4 | 10B | 130 BPM |