Annette Peacock's ' "Love's out to Lunch" was released on its scheduled release date, January 1, 1979. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Love's out to Lunch's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "The Perfect Release". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Love's out to Lunch's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Love's out to Lunch by Annette Peacock having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forge Your Own Chains | D.R. Hooker | F Minor | 6 | 4A | 83 BPM | ||
| Jim on the Move | Lizzy Mercier Descloux | F♯ Minor | 7 | 11A | 130 BPM | ||
| Satisfied | Barbara & Ernie | E Minor | 2 | 9A | 143 BPM | ||
| Come sta, La Luna | CAN | C Major | 5 | 8B | 135 BPM | ||
| Love Will Set You Free | Carrie Cleveland | F Minor | 4 | 4A | 114 BPM | ||
| River | Terry Reid | G Major | 3 | 9B | 101 BPM | ||
| Tumour | Lizzy Mercier Descloux | A Major | 3 | 11B | 83 BPM | ||
| The Meaning of Love | Steve Kuhn | G Major | 3 | 9B | 107 BPM | ||
| Sunday | Kenny Graham And His Satellites | B♭ Minor | 1 | 3A | 100 BPM | ||
| Places Of Light | Brainticket | D Major | 6 | 10B | 93 BPM | ||
| About Love | Ben Sidran | E♭ Minor | 8 | 2A | 122 BPM | ||
| A Loss of Consciousness | Annette Peacock | C Major | 4 | 8B | 148 BPM | ||
| Guffer | Linda Lewis | G Major | 3 | 9B | 126 BPM | ||
| Love in the darkness | Offering | B Major | 3 | 1B | 152 BPM | ||
| In the Lassa | Juana Molina | C Major | 6 | 8B | 96 BPM | ||
| Uhuru Sasa | Gary Bartz Ntu Troop | D Major | 7 | 10B | 133 BPM | ||
| He Was A Big Freak | Betty Davis | D♭ Minor | 8 | 12A | 139 BPM | ||
| Sand And Rain | Nancy Holloway, Daniel Janin | F Minor | 4 | 4A | 79 BPM | ||
| The Vibes Ain't Nothin' But The Vibes | Barry Adamson | A Minor | 4 | 8A | 108 BPM | ||
| Why Must We Part | Eddie Harris | C Major | 1 | 8B | 123 BPM | ||
| Aural Risk | Asphixiation | D♭ Major | 3 | 3B | 102 BPM | ||
| It's A Rainy Day Sunshine Girl | Faust | C Major | 7 | 8B | 109 BPM | ||
| , Ever 2 B Gotten. | Annette Peacock, Cikada String Quartet | F♯ Major | 4 | 2B | 94 BPM | ||
| Christo Redentor | Harvey Mandel | G Minor | 4 | 6A | 78 BPM | ||
| Hard Boiled Babe | Lizzy Mercier Descloux | D Major | 7 | 10B | 118 BPM |