Palau Descobreix, Marc Timón's 'Deixa’m que planyi - Lascia ch’io pianga, de Rinaldo (arr. de Marc Timón per a veu, violí, cello, trompa, flauta, piano)' had a release date set for September 10, 2025. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Deixa’m que planyi - Lascia ch’io pianga, de Rinaldo (arr. de Marc Timón per a veu, violí, cello, trompa, flauta, piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 23 in BabeBra & Mozart by Palau Descobreix, Marc Timón. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Deixa’m que planyi - Lascia ch’io pianga, de Rinaldo (arr. de Marc Timón per a veu, violí, cello, trompa, flauta, piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deixa’m que planyi - Lascia ch’io pianga, de Rinaldo (arr. de Marc Timón per a veu, violí, cello, trompa, flauta, piano) by Palau Descobreix, Marc Timón is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 「白雪姫」Ⅴ.愛のファーストキス | 五十嵐紅トリオ | A♭ Major | 2 | 4B | 73 BPM | ||
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Culinary Harmony | Estoria | A Major | 0 | 11B | 141 BPM | ||
| Carnaval des Animaux, Swan | Camille Saint-Saëns, Arco Baleno Ensemble | G Major | 1 | 9B | 113 BPM | ||
| Andante con variazioni per mandolina i piano en D Menor No. 2, WoO 44: Andante | Orquestra de Cambra Big Bang Beethoven, Eduard Iniesta | A Major | 1 | 11B | 125 BPM | ||
| Tchaikovsky - Op.37 Carnival | ダニエル・ルブラン | D Major | 3 | 10B | 136 BPM | ||
| Lemon Light | Rylandiaa | E Major | 3 | 12B | 178 BPM | ||
| Paderewski: 6 Humoresques de concert, Op. 14, Cahier I "À l'antique": No. 1, Menuet célèbre | Ignacy Jan Paderewski, Mariam Batsashvili | G Major | 1 | 9B | 106 BPM | ||
| Música aquàtica. Suite en Fa major núm. 1, HWV 348: Minuet (arr. de Marc Timón per a clarinet, violí, cello, trompa, flauta) | Palau Descobreix, Marc Timón | F Major | 1 | 7B | 202 BPM | ||
| Das Jahr, 12 Characterstucke: No. 5, May | Fanny Mendelssohn, Els Biesemans | A Major | 1 | 11B | 97 BPM | ||
| Symphony in B-Flat Major, Hob. I:102: IV. Finale. Presto | Joseph Haydn, Ádám Fischer, Österreichisch-Ungarische Haydn Philharmonie | A Major | 0 | 11B | 141 BPM | ||
| Afternoon in Prague | 村井秀清 | D Major | 1 | 10B | 87 BPM | ||
| Distorted Reflection: VII. Shadow | Bishara Khell, Amira Ishaq, Bishara Haroni, Carol Ibrahim, Eleni Ghassan Mustaklem, Hikmat Ata Qaymari, Hussein Abu Al-Rob, Jalal Nader Albess, Jude Al Qalawi, Luay Bishara, Mahmoud Karzon, Mahran Moreb, Mohammed Karzon, Muntaser Jabarini, Rashed Za'rour, | B♭ Minor | 6 | 3A | 149 BPM | ||
| Contrastes: VI. Fugue/Tango | Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux | D♭ Major | 0 | 3B | 146 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Pa-Pa-Pa-Pa-Pa-Pa Papagena. La flauta màgica, KV 620 (acte 2) (arr. de Marc Timón per a veu, violí, cello, trompa, guitarra, acordeó) | Palau Descobreix, Marc Timón | C Minor | 1 | 5A | 94 BPM | ||
| Debussy: Petite Suite ~ En Bateau | Anthony & Joseph Paratore | G Major | 0 | 9B | 67 BPM | ||
| Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Sir Adrian Boult, London Philharmonic Orchestra, Alexander Cameron, William Webster, Valda Aveling | B♭ Major | 2 | 6B | 83 BPM | ||
| my dear | sound project | F Minor | 3 | 4A | 72 BPM | ||
| Valse Davet (Arr. for 2 Mandolins, Mandola & Guitar) | Sultan Abdülaziz, Bulent Yazici, Ender Bilge | D Major | 2 | 10B | 128 BPM | ||
| Flautino Concerto In C, RV 443 - Arr. in G Major for Recorder: 2. Largo | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | F♯ Minor | 0 | 11A | 69 BPM | ||
| Varii, e diversi capricci per camera, Op. 50: Capriccio in eco (nella grotta) | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Spring flowers | Soft Melody | D♭ Major | 0 | 3B | 178 BPM | ||
| Harvest Wind Reverie | Bheto VN | A Major | 0 | 11B | 141 BPM | ||
| In Memoriam | Arturo Cardelús, Maureen Choi | E Minor | 1 | 9A | 86 BPM |