Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012
Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder
Scored By Max Richter
2:35 November 19, 2025
BPM
66
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012 by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder Song Details

"Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012" by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder had its release date on November 19, 2025. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Scored By Max Richter". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Germany. Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012 by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-12.742 dB
Acousticness
15%
Danceability
6%
Energy
34%
Instrumentalness
86%
Liveness
11%
Loudness
79%
Speechiness
5%
Valence
3%

Recommendations

TrackArtistKeyEnergyCamelotBPM
She Remembers by Max RichterShe RemembersMax RichterF♯ Minor011A68 BPM
Spiegel im Spiegel - Version for Violin and Piano by Arvo Pärt, Vladimir Spivakov, Sergej BezrodnySpiegel im Spiegel - Version for Violin and PianoArvo Pärt, Vladimir Spivakov, Sergej BezrodnyF Major07B71 BPM
Infra 5 by Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris WorseyInfra 5Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris WorseyF♯ Minor311A81 BPM
Particle V - Sebastian Plano Rework by Tom Adams, Sebastian PlanoParticle V - Sebastian Plano ReworkTom Adams, Sebastian PlanoA Major211B170 BPM
Bonjour Le Desert by The Quiet NowBonjour Le DesertThe Quiet NowF Major07B189 BPM
Heart Failure by Eik OctobreHeart FailureEik OctobreC Major08B94 BPM
Grief by Jocelyn PookGriefJocelyn PookE Minor39A90 BPM
Alma by Jonny GreenwoodAlmaJonny GreenwoodC Major18B99 BPM
Not Alone by Ólafur ArnaldsNot AloneÓlafur ArnaldsG Minor06A210 BPM
At Eternity's Gate by Clint MansellAt Eternity's GateClint MansellA Minor18A84 BPM
Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) by Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester BerlinSonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura)Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester BerlinA Minor18A82 BPM
Hoxa Sound by Erland CooperHoxa SoundErland CooperC Major28B86 BPM
Solo? Repeat! by Anne MüllerSolo? Repeat!Anne MüllerA♭ Major24B95 BPM
Return - Pt. 2 by Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-KozdojReturn - Pt. 2Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-KozdojF Minor14A116 BPM
Marazion (50.127932, -5.474548) by KEYNVOR, Sebastian PlanoMarazion (50.127932, -5.474548)KEYNVOR, Sebastian PlanoC Major28B91 BPM
Forward and Onwards by Sebastian PlanoForward and OnwardsSebastian PlanoC Minor15A168 BPM
The End of All Our Exploring by Max RichterThe End of All Our ExploringMax RichterE♭ Major05B150 BPM
Serenity by Mike LazarevSerenityMike LazarevF Minor14A129 BPM
Origins (Solo) by Max RichterOrigins (Solo)Max RichterE Major012B65 BPM
Reality by Snorri HallgrímssonRealitySnorri HallgrímssonC Minor05A49 BPM
The Trees by Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris WorseyThe TreesMax Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris WorseyG Minor36A115 BPM
Patterns / Solo - Pt. 3 by Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-KozdojPatterns / Solo - Pt. 3Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-KozdojB♭ Major06B81 BPM
We're Here by Ben Lukas Boysen, Sebastian PlanoWe're HereBen Lukas Boysen, Sebastian PlanoD Minor27A62 BPM
We Became Winter by Vetle NærøWe Became WinterVetle NærøA♭ Minor01A98 BPM
Iconography by Max RichterIconographyMax RichterG Minor26A69 BPM
ISRC
DEUM71201995
Label
L-M Records/RCA Records