"Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012" by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder had its release date on November 19, 2025. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Scored By Max Richter". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Germany. Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012 by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Remembers | Max Richter | F♯ Minor | 0 | 11A | 68 BPM | ||
| Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
| Infra 5 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | F♯ Minor | 3 | 11A | 81 BPM | ||
| Particle V - Sebastian Plano Rework | Tom Adams, Sebastian Plano | A Major | 2 | 11B | 170 BPM | ||
| Bonjour Le Desert | The Quiet Now | F Major | 0 | 7B | 189 BPM | ||
| Heart Failure | Eik Octobre | C Major | 0 | 8B | 94 BPM | ||
| Grief | Jocelyn Pook | E Minor | 3 | 9A | 90 BPM | ||
| Alma | Jonny Greenwood | C Major | 1 | 8B | 99 BPM | ||
| Not Alone | Ólafur Arnalds | G Minor | 0 | 6A | 210 BPM | ||
| At Eternity's Gate | Clint Mansell | A Minor | 1 | 8A | 84 BPM | ||
| Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
| Hoxa Sound | Erland Cooper | C Major | 2 | 8B | 86 BPM | ||
| Solo? Repeat! | Anne Müller | A♭ Major | 2 | 4B | 95 BPM | ||
| Return - Pt. 2 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj | F Minor | 1 | 4A | 116 BPM | ||
| Marazion (50.127932, -5.474548) | KEYNVOR, Sebastian Plano | C Major | 2 | 8B | 91 BPM | ||
| Forward and Onwards | Sebastian Plano | C Minor | 1 | 5A | 168 BPM | ||
| The End of All Our Exploring | Max Richter | E♭ Major | 0 | 5B | 150 BPM | ||
| Serenity | Mike Lazarev | F Minor | 1 | 4A | 129 BPM | ||
| Origins (Solo) | Max Richter | E Major | 0 | 12B | 65 BPM | ||
| Reality | Snorri Hallgrímsson | C Minor | 0 | 5A | 49 BPM | ||
| The Trees | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 3 | 6A | 115 BPM | ||
| Patterns / Solo - Pt. 3 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj | B♭ Major | 0 | 6B | 81 BPM | ||
| We're Here | Ben Lukas Boysen, Sebastian Plano | D Minor | 2 | 7A | 62 BPM | ||
| We Became Winter | Vetle Nærø | A♭ Minor | 0 | 1A | 98 BPM | ||
| Iconography | Max Richter | G Minor | 2 | 6A | 69 BPM |