Alec Guinness's 'Act I Scene VII' had a release date set for August 1, 2012. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Alec Guinness's "Macbeth" album is number 7 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, Act I Scene VII is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Act I Scene VII by Alec Guinness to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teil 4 - Moby Dick | Herman Melville, Eberhard Krug, Peter Schiff, Rolf Marnitz | B Major | 1 | 1B | 67 BPM | ||
| Adam and Eve in the Garden | Riley Weber | G Minor | 8 | 6A | 75 BPM | ||
| Chapter 48 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | A♭ Major | 3 | 4B | 86 BPM | ||
| Markheim | Robert Louis Stephenson | E♭ Major | 1 | 5B | 100 BPM | ||
| The Yipiyuk | Shel Silverstein | G Minor | 1 | 6A | 120 BPM | ||
| Bojo Rings the Big Bell | Children's Bedtime Stories | A♭ Minor | 4 | 1A | 132 BPM | ||
| Act V, Scene V | Alec Guinness | E♭ Major | 2 | 5B | 126 BPM | ||
| Pinocchio, Pt. 26 | Fairy Tales for Kids | G Major | 2 | 9B | 81 BPM | ||
| Perfect Woman (William Wordsworth) | Michael Sheen | D♭ Major | 0 | 3B | 77 BPM | ||
| Chapter 04: The Love Herb | Bibi and Tina | D♭ Major | 3 | 3B | 92 BPM | ||
| DONT BE LEFT BEHIND | DIVINELY APPOINTED | F♯ Major | 0 | 2B | 110 BPM | ||
| Track 18 - Sword of Orion, Part 1 | Doctor Who, Nicholas Briggs, Paul McGann, India Fisher | F Minor | 4 | 4A | 85 BPM | ||
| Pinocchio, Pt. 25 | Fairy Tales for Kids | C Major | 4 | 8B | 86 BPM | ||
| Chapter 18: Tina In Danger | Bibi and Tina | E Major | 3 | 12B | 89 BPM | ||
| The Passionate Shepherd To His Love (Christopher Marlowe) | Michael Sheen | F Major | 1 | 7B | 79 BPM | ||
| Teil 1 - Kasperle und der Räuber Plumps | Kasperle, Peter Jacob, Kasperle-Theater "bi-ba-bo" | D♭ Major | 3 | 3B | 82 BPM | ||
| Anon: Clerk Saunders | Alec Guinness | F♯ Major | 2 | 2B | 99 BPM | ||
| Teil 16 - Folge 27: Professor van Dusen und der schreckliche Schneemensch | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Hans Putz, Joachim Bliese, Joachim Pukaß, Joachim Kerzel, Alexander Herzog | C Major | 2 | 8B | 107 BPM | ||
| Chapter 1.5 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Across the Plains of Africa | Ken Bruce | F Minor | 1 | 4A | 131 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| John Donne - Death Be Not Proud | Richard Mitchley | C Minor | 1 | 5A | 87 BPM | ||
| The Secret of Life | Eckhart Tolle | A Major | 2 | 11B | 103 BPM | ||
| Be Transformed by the Renewal of Your Thinking | Spiritual Unfoldment with John Butler | B♭ Minor | 2 | 3A | 104 BPM | ||
| The Negro Speaks of Rivers | Langston Hughes | B Minor | 2 | 10A | 132 BPM |